These are Romantic poems (with a capital R) that I have written under the influence of feminine beauty and poets like Sappho, e. e. cummings, Emily Dickinson, John Keats, Kevin N. Roberts, Percy Bysshe Shelley and Dylan Thomas.
She Gathered Lilacs
by Michael R. Burch
for Beth
She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.
She kept her secrets
in a silver locket;
her companions were starlight and mystery.
She danced all night
to the beat of her heart;
with her tears she imbued the sea.
She hid her despair
in a crystal jar,
and never revealed it to me.
She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.
Love!—awaken, awaken
to see what you’ve taken
is still less than the due my heart owes!
Published by The Neovictorian/Cochlea, The Eclectic Muse (Canada), Shabestaneh (Iran), Anthology of Contemporary American Poetry, The Chained Muse, English Poetry, Inspirational Stories, Borderless Journal and Captivating Poetry (Anthology)
***
Violets
by Michael R. Burch
Once, only once,
when the wind flicked your skirt
to an indiscreet height
and you laughed,
abruptly demure,
outblushing shocked violets:
suddenly,
I knew:
everything had changed.
Later, as you braided your hair
into long bluish plaits
the shadows empurpled
—the dragonflies’
last darting feints
dissolving mid-air—
we watched the sun’s long glide
into evening,
knowing and unknowing ...
O, how the illusions of love
await us in the commonplace
and rare
then haunt our small remainder of hours.
Published by Romantics Quarterly, Muse Apprentice Guild, Victorian Violet Press, Boston Poetry Magazine and Poetry on Demand
***
Fountainhead
by Michael R. Burch
I did not delight in love so much
as in a kiss like linnets’ wings,
the flutterings of a pulse so soft
the heart remembers, as it sings:
to bathe there was its transport, brushed
by marble lips, or porcelain,—
one liquid kiss, one cool outburst
from pale rosettes. What did it mean ...
to float awhirl on minute tides
within the compass of your eyes,
to feel your alabaster bust
grow cold within? Ecstatic sighs
seem hisses now; your eyes, serene,
reflect the sun’s pale tourmaline.
Published by Romantics Quarterly, Poetica Victorian, PW Review, Nutty Stories (South Africa), Inspirational Stories, Famous Poets & Poems, Poetry Life & Times, English Poetry and Love Poems and Poets
***
To Flower
by Michael R. Burch
When Pentheus [“grief’] went into the mountains in the garb of the baccae, his mother [Agave] and the other maenads, possessed by Dionysus, tore him apart (Euripides, Bacchae; Apollodorus 3.5.2; Ovid, Metamorphoses 3.511-733; Hyginus, Fabulae 184). The agave dies as soon as it blooms; the moonflower, or night-blooming cereus, is a desert plant of similar fate.
We are not long for this earth, I know—
you and I, all our petals incurled,
till a night of pale brilliance, moonflower aglow.
Is there love anywhere in this strange world?
The agave knows best when it’s time to die
and rages to life with such rapturous leaves
her name means Illustrious. Each hour more high,
she claws toward heaven, for, if she believes
in love at all, she has left it behind
to flower, to flower. When darkness falls
she wilts down to meet it, where something crawls:
beheaded, bewildered. And since love is blind,
she never adored it, nor watches it go.
Can we be as she is, moonflower aglow?
Published by The Neovictorian/Cochlea, Famous Poets and Poems, Poetry on Demand, Inspirational Stories, The Chained Muse and Sonnetto Poesia (Canada)
***
Will There Be Starlight
by Michael R. Burch
for Beth
Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?
And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?
Will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?
And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?
Published by TALESetc, Starlight Archives, The Word (UK), Poezii (Romanian translation by Petru Dimofte), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, Inspirational Stories, Jenion, Poetry Webring and Writ in Water; also set to music by the award-winning Australian composer David Hamilton
If I remember correctly, I wrote the first version of this poem toward the end of my senior year in high school, then forgot about it for fifteen years until I met my future wife Beth and she reminded me of my poem’s mysterious enchantress. I dedicated the poem to her on September 21, 1991, the same day I wrote “Seasons, for Beth.”
***
Redolence
by Michael R. Burch
Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.
Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.
And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.
Published by Poetry Magazine, The New Formalist, Carnelian, Little Brown Poetry, Net Poetry and Art Competition, The Eclectic Muse (Canada), The Best of the Eclectic Muse 1989-2003, Romantics Quarterly, Amerikai költok a második (translated into Hungarian by István Bagi), Opera News, English Poetry, Inspirational Stories, Sonnetto Poesia (Canada), Poetry Life & Times, Poetic Reflections, Poetic Ponderings, Poem Kingdom and Trinacria
***
The Peripheries of Love
by Michael R. Burch
Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.
Above us—the darkening pavilions of clouds.
Below us—rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday’s forgotten rains.
Later, the moon like a virgin
lifts her stricken white face
and the waters rise
toward some unfathomable shore.
We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved ...
curiously motionless,
as though twilight might blur
the effects of proximity and distance,
as though love might be near—
as near
as a single cupped tear of resilient dew
or a long-awaited face.
Published by Romantics Quarterly, PoetryMagazine.com, Boston Poetry Magazine, Amerikai költok a második (Hungarian translation by István Bagi), Triplopia, Shadows Ink, E Mobius Pi, Underground Poets, Emotions Literary Magazine, Grassroots Poetry, Poetry Webring, Poetically Speaking, The Poetic Muse, Poet’s Haven, Poetic Voices, Nutty Stories (South Africa) and Gostinaya (in a Russian translation by Yelena Dubrovin)
***
Warming Her Pearls
by Michael R. Burch
for Beth, after her bath
Warming her pearls, her breasts
gleam like constellations.
Her belly is a bit rotund . . .
she might have stepped out of a Rubens.
Published by Erosha, The Eclectic Muse, Muse Apprentice Guild, Nisqually Delta Review, Erbacce, Poetry Life & Times and Brief Poems
***
Moments
by Michael R. Burch
for Beth
There were moments
full of promise,
like the petal-scented rainfall
of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.
There are moments
strangely empty
full of pale unearthly twilight
—how the cold stars stare!—
when to be without you
is a dark enchantment
the night and I share.
Published by Tucumcari Literary Review, Romantics Quarterly, Poezii (Romanian translation by Petru Dimofte), Grassroots Poetry, The Chained Muse, in a Soundcloud reading by Vex Darkly, and in a YouTube reading by Jasper Sole
***
Adrift
by Michael R. Burch
I helplessly loved you
although I was lost
in the veils of your eyes,
grown blind to the cost
of my ignorant folly
—your unreadable rune—
as leashed tides obey
an indecipherable moon.
***
Dylan Thomas was one of my favorite poets from my early teens and has remained so over the years. I have written three poems ‘for’ him and one poem ‘after’ him …
Myth
by Michael R. Burch
after the sprung rhythm of Dylan Thomas
Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.
Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.
“Myth” won a Dylan Thomas poetry contest not too long ago. The judge was very complimentary of the poem. I believe I wrote the first version of this poem toward the end of my senior year of high school, around age 18, in late 1976. To my recollection this is my only poem influenced by the “sprung rhythm” of Dylan Thomas (moreso than that of Gerard Manley Hopkins). But I was not happy with the fourth line and put the poem aside for more than 20 years, until 1998, when I revised it. But I was still not happy with the fourth line, so I put it aside, then revised it again in 2020, nearly half a century after originally writing the poem!
***
Radiance
by Michael R. Burch
for Dylan Thomas
The poet delves earth’s detritus―hard toil―
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes―dense soil,
dark images impacted, rooted clay.
The poet sees the sea but feels its meaning―
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface...
then squanders years imagining love’s the same.
Belatedly he turns to what lies broken―
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.
The original title of this poem, which I still like, was “Elemental.” I have also considered “Elemental Radiance” from time to time. I think both “elemental” and “radiant” apply to Dylan Thomas’s best poems. Keywords/Tags: Dylan Thomas, poet, poetry, words, light, radiance, illumination, sea, moon, tides, love, metaphor, earth, roots, plot, pitchblende, uranium, delving, farming
***
Downdraft
by Michael R. Burch
for Dylan Thomas
We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.
Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds
wheeling and flying.
Here, as Time spins, reeling and dying,
the voice of a last gull
or perhaps some spirit no longer whole,
echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.
O My Prodigal!
The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .
and this voice which in haggard bleak rapture still somehow downward sings.
***
Sunset, at Laugharne
by Michael R. Burch
for Dylan Thomas
At Laugharne, in his thirty-fifth year,
he watched the starkeyed hawk career;
he felt the vested heron bless,
and larks and finches everywhere
sank with the sun, their missives west—
where faith is light; his nightjarred breast
watched passion dovetail to its rest.
*
He watched the gulls above green shires
flock shrieking, fleeing priested shores
with silver fishes stilled on spears.
He felt the pressing weight of years
in ways he never had before—
that gravity no brightness spares
from sunken hills to unseen stars.
He saw his father’s face in waves
which gently lapped Wales’ gulled green bays.
He wrote as passion swelled to rage—
the dying light, the unturned page,
the unburned soul’s devoured sage.
*
The words he gathered clung together
till night—the jetted raven’s feather—
fell, fell . . . and all was as before . . .
till silence lapped Laugharne’s dark shore
diminished, where his footsteps shone
in pools of fading light—no more.
***
In this poem, when I started listing the poets I like to read, Dylan Thomas was first:
beMused
by Michael R. Burch
Perhaps at three
you'll come to tea,
to have a cuppa here?
You'll just stop in
to sip dry gin?
I only have a beer.
To name the "greats":
Pope, Dryden, mates?
The whole world knows their names.
Discuss the "songs"
of Emerson?
But these are children's games.
Give me rhythms
wild as Dylan's!
Give me Bobbie Burns!
Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!
Or Langston railing!
Blake assailing!
Few others I desire.
Or go away,
yes, leave today:
your tepid poets tire.
***
BeMused
by Michael R. Burch
You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.
If you like Her looks …
meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.
We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.
***
The American poet Thomas Rain Crowe lived in the Dylan Thomas boat house at Laugharne and wrote poems there. These are poems I wrote for Thomas that were influenced by Dylan Thomas and his experience.
Mongrel Dreams (I)
by Michael R. Burch
These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
Mongrel Dreams (II)
|by Michael R. Burch
for Thomas Rain Crowe
I squat in my Cherokee lodge, this crude wooden hutch of dry branches and leaf-thatch
as the embers smolder and burn,
hearing always the distant tom-toms of your rain dance.
I relax in my rustic shack on the heroned shores of Gwynedd,
slandering the English in the amulet gleam of the North Atlantic,
hearing your troubadour’s songs, remembering Dylan.
I stand in my rough woolen kilt in the tall highland heather
feeling the freezing winds through the trees leaning sideways,
hearing your bagpipes’ lament, dreaming of Burns.
I slave in my drab English hovel, tabulating rents
while dreaming of Blake and burning your poems like incense.
I abide in my pale mongrel flesh, writing in Nashville
as the thunderbolts flash and the spring rains spill,
till the quill gently bleeds and the white page fills,
dreaming of Whitman, calling you brother.
After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (Hitler was similarly obsessed with the "legalities" of the Nazi Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)
Native Americans understood the "circle of life" better than their white oppressors ...
When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch
Keywords/Tags: Dylan Thomas, Laugharne, Wales, ocean, sea, seaside, beach, bays, waves, ocean waves, birds, hawk, herons, gulls, father, poet, poetry, poem, poems, famous poets, elegy
Keywords/Tags: Romantic, Romance, Love, lilacs, hair, wind, secrets, locket, starlight, mystery, heart, beat, tears, sea, despair, crystal, jar, distance, armor, rose, thorns, due, heart, owes, fountain, bathe, kiss, sun, marble, bust, tides, sighs, eyes, sun, tourmaline
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