beauty

You may have heard of Proclus, sir,
If you have been a reader;
And you may know a bit of her
Who helped the Lycian leader.
I have my doubts -- the head you "sport"
(Now mark me, don't get crusty)
Is hardly of the classic sort --
Your lore, I think, is fusty.

Most likely you have stuck to tracts
Flushed through with flaming curses --
I judge you, neighbour, by your acts --
So don't you damn my verses.

But to my theme. The Asian sage,
Whose name above I mention,

Act II Scene ii, lines 26-55


A ho! A ho!
Love's horn doth blow,
And he will out a-hawking go.
His shafts are light as beauty's sighs,
And bright as midnight's brightest eyes,
And round his starry way
The swan-winged horses of the skies,
With summer's music in their manes,
Curve their fair necks to zephyr's reins,
And urge their graceful play.

A ho! A ho!
Love's horn doth blow,
And he will out a-hawking go.
The sparrows flutter round his wrist.

In the dim chamber whence but yesterday
Passed my belovèd, filled with awe I stand;
And haunting Loves fluttering on every hand
Whisper her praises who is far away.
A thousand delicate fancies glance and play
On every object which her robes have fanned,
And tenderest thoughts and hopes bloom and expand
In the sweet memory of her beauty's ray.
Ah! could that glass but hold the faintest trace
Of all the loveliness once mirrored there,
The clustering glory of the shadowy hair

What story is here of broken love,
What idyllic sad romance,
What arrow fretted the silken dove
That met with such grim mischance?

I picture you, sleeper of long ago,
When you trifled and danced and smiled,
All golden laughter and beauty's glow
In a girl life sweet and wild.

Hair with the red gold's luring tinge,
Fine as the finest silk,
Violet eyes with a golden fringe
And cheeks of roses and milk.

Something of this you must have been,

"Aged 17, OF A BROKEN HEART, January 1st, 1841."

What story is here of broken love,
   What idyllic sad romance,
What arrow fretted the silken dove
   That met with such grim mischance?

I picture you, sleeper of long ago,
   When you trifled and danced and smiled,
All golden laughter and beauty's glow
   In a girl life sweet and wild.

Hair with the red gold's luring tinge,
   Fine as the finest silk,
Violet eyes with a golden fringe
   And cheeks of roses and milk.

Nay, deem me not insensible, Cesario,
To female charms; nor think this heart of mine
Is cas'd in adamant; because, forsooth,
I cannot ogle, and hyperbolize,
And whisper tender nothings in the ear
Of ev'ry would-be beauty, holding out
The bright but treacherous flame of flattery,
To watch the she-moths of a drawing room
Sport round the beam, and burn their pretty wings,
Ere conscious of their danger: yet, believe me,
I love a maid whose untranscended form
Is yet less lovely than her spotless mind.

Oh do not die, for I shall hate
All women so, when thou art gone,
That thee I shall not celebrate,
When I remember, thou wast one.

But yet thou canst not die, I know;
To leave this world behind, is death,
But when thou from this world wilt go,
The whole world vapours with thy breath.

Or if, when thou, the world’s soul, go`st,
It stay, ’tis but thy carcase then,
The fairest woman, but thy ghost,
But corrupt worms, the worthiest men.

Oh wrangling schools, that search what fire

Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.

O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,

Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
II
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
III
He peddled paint from bar to bar;
From sordid rags a jewel shone,

It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --