DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Up from the evil day
Of wattle and of woad,
Along man's weary way
Dark Pain has been the goad.
Back from the age of stone,
Within his brutish brain,
What pleasure he has known
Is ease from Pain.
Behold in Pain the force
That haled Man from the Pit,
And set him such a course
No mind can measure it.
To angel from the ape
No human pang was vain
In that divine escape
To joy through Pain.
See Pain with stoic eyes
And patient fortitude,
There is a green hill far away,
Without a city wall,
Where the dear Lord was crucified,
Who died to save us all.
We may not know, we cannot tell
What pains he had to bear,
But we believe it was for us
He hung and suffer’d there.
He died that we might be forgiven,
He died to make us good,
That we might go at last to heaven,
Sav’d by his precious blood.
There was no other good enough
To pay the price of sin;
He only could unlock the gate
Of heaven, and let us in.
"They would have spared life to any of their English prisoners who should consent to profess Mahometanism, by repeating the usual short formula; but only one half-caste cared to save himself in that way." -- Extract from an Indian newspaper.
MORITURUS LOQUITUR.
Oft in the pleasant summer years,
Reading the tales of days bygone,
I have mused on the story of human tears,
All that man unto man had done,
Massacre, torture, and black despair;
Reading it all in my easy-chair.
Whither was it that my spirit wended
When from thee my fleeting shadow moved?
Is not now each earthly conflict ended?
Say,--have I not lived,--have I not loved?
Art thou for the nightingales inquiring
Who entranced thee in the early year
With their melody so joy-inspiring?
Only whilst they loved they lingered here.
Is the lost one lost to me forever?
Trust me, with him joyfully I stray
There, where naught united souls can sever,
And where every tear is wiped away.
Three words will I name thee--around and about,
From the lip to the lip, full of meaning, they flee;
But they had not their birth in the being without,
And the heart, not the lip, must their oracle be!
And all worth in the man shall forever be o'er
When in those three words he believes no more.
Man is made free!--Man by birthright is free,
Though the tyrant may deem him but born for his tool.
Whatever the shout of the rabble may be--
Whatever the ranting misuse of the fool--
Clouds scattered across the sky &nbs p;all so far away
and then the space between this strange 'distance'
What does 'normal' mean, after all? &nb sp;you move
toward the window & nbsp;lights marking the headland
and the night becomes a milestone &nbs p; though
I the fog rolls up the hill from the sea
in waves the town &nb sp;desperate?
Whichever way we look &nb sp;though so much at hand
only held back by obsessions
I--THE EXPLANATION
"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.
"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]
Come hither, come hither, my little boy Ned!
Come hither unto my knee--
