city

1.

Indeed I live in the dark ages!
A guileless word is an absurdity. A smooth forehead betokens
A hard heart. He who laughs
Has not yet heard
The terrible tidings.

Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!
And he who walks calmly across the street,
Is he not out of reach of his friends
In trouble?

It is true: I earn my living
But, believe me, it is only an accident.
Nothing that I do entitles me to eat my fill.

Yes, my friends!--that happier times have been
Than the present, none can contravene;
That a race once lived of nobler worth;
And if ancient chronicles were dumb,
Countless stones in witness forth would come
From the deepest entrails of the earth.
But this highly-favored race has gone,
Gone forever to the realms of night.
We, we live! The moments are our own,
And the living judge the right.

Brighter zones, my friends, no doubt excel

We shall not ask for the precious pearl of the Duke of Sui,
nor for the priceless jade disk of Master Ho.
We merely ask for the recent news of our homeland.
The Palace of Spiritual Illumination must be still there,
surrounded by desolation.
What's happened to the stone statues buried deep in the grass,
still guarding the Imperial tombs?
Is it true that our people left behind in the occupied territories
are still planting mulberry trees and hemp?
Is it true that the rear guard of the Barbarians
only patrols the city walls?

I say not not Helios burns so strong,
I say he outshines the flickering sun
when your laughter's radiance falls on him there,
trembling before you;

the song draws the soul from my body, it
shakes me with wanting and fear, because when I
see you I arch to the stars and dissolving I
fade into darkness,

and now, like a mawkish boy, I stammer,
pale flame veins my flesh and my ears ring
crazy in chimes and night veils my eyes,
failing such brightness.

Languor, Catullus, destroys you. Look out!

You ask me to be gay and glad
While lurid clouds of danger loom,
And vain and bad and gambling mad,
Australia races to her doom.
You bid me sing the light and fair,
The dance, the glance on pleasure's wings –
While you have wives who will not bear,
And beer to drown the fear of things.

A war with reason you would wage
To be amused for your short span,
Until your children's heritage
Is claimed for China by Japan.
The football match, the cricket score,

Familiar with thy melody,
We go debating of its power,
As churls, who hear it hour by hour,
Contemn the skylark's minstrelsy -

As shepherds on a Highland lea
Think lightly of the heather flower
Which makes the moorland's purple dower,
As far away as eye can see.

Let churl or shepherd change his sky,
And labour in the city dark,
Where there is neither air nor room -
How often will the exile sigh
To hear again the unwearied lark,
And see the heather's lavish bloom!

A man was crucified. He came to the city a stranger,
was accused, and nailed to a cross. He lingered hanging.
Laughed at the crowd. "The nails are iron," he
said, "You are cheap. In my country when we crucify
we use silver nails. . ." So he went jeering. They
did not understand him at first. Later they talked about
him in changed voices in the saloons, bowling alleys, and
churches. It came over them every man is crucified
only once in his life and the law of humanity dictates
silver nails be used for the job. A statue was erected

I

Fires in the dark you build; tall quivering flames
In the huge midnight forest of the unknown.
Your soul is full of cities with dead names,
And blind-faced, earth-bound gods of bronze and stone
Whose priests and kings and lust-begotten lords
Watch the procession of their thundering hosts,
Or guard relentless fanes with flickering swords
And wizardry of ghosts.

II

In a strange house I woke; heard overhead
Hastily-thudding feet and a muffled scream...

There is a lovely noise about your name,
Above the shoutings of the city clear,
More than a moment's merriment, whose claim
Will greater grow with every mellowed year.

The people will not bear you down the street,
Dancing to the strong rhythm of your words,
The modern kings will throttle you to greet
The piping voice of artificial birds.

But the rare lonely spirits, even mine,
Who love the immortal music of all days,
Will see the glory of your trailing line,

Let verse of yours be flexible, but strong,
Strong as a poplar under valley's cover,
Strong as the earth under a plough, long,
Strong as a girl, who never knew a lover.

Reliably preserve severity at length,
Your verse need not be fluttering or booming,
Although the Muse has very easy steps,
She's not a dancer, but a goddess, ruling.

Frolicsome din of interrupted rhymes --
Temptation for decline, so free and so easy --
Just leave for use by jokers in a dance
On city streets for people who aren't busy.