fairy

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.

There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.

Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.

When she came to carterhaugh
Tam Lin was at the well,

Prelude

Blue storm-clouds in hot heavens of mid-July
Hung heavy, brooding over land and sea:
Our hearts, a-tremble, throbbed in harmony
With the wild, restless tone of air and sky.
Shall we not call im Prospero who held
In his enchanted hands the fateful key
Of that tempestuous hour's mystery,
And with controlling wand our spirits spelled,
With him to wander by a sun-bright shore,
To hear fine, fairy voices, and to fly
With disembodied Ariel once more

Sweetheart Spring

Our Sweetheart, Spring, came softly,
Her gliding hands were fire,
Her lilac breath upon our cheeks
Consumed us with desire.

By her our God began to build,
Began to sow and till.
He laid foundations in our loves
For every good and ill.
We asked Him not for blessing,
We asked Him not for pain —
Still, to the just and unjust
He sent His fire and rain.


Sweetheart Summer

We prayed not, yet she came to us,

We are happy all the time
Even when we fight:
Sweet briars of the stairways,
Gay fairies of the grime;
We, who are playing to-night.

"Our feet are in the gutters,
Our eyes are sore with dust,
But still our eyes are bright.
The wide street roars and mutters —
We know it works because it must —
We, who are playing to-night!

"Dirt is everlasting. — We never, never fear it.
Toil is never ceasing. — We will play until we near it.

Wild little bird, who chose thee for a sign
To put upon the cover of this book?
Who heard thee singing in the distance dim,
The vague, far greenness of the enshrouding wood,
When the damp freshness of the morning earth
Was full of pungent sweetness and thy song?

Who followed over moss and twisted roots,
And pushed through the wet leaves of trailing vines
Where slanting sunbeams gleamed uncertainly,
While ever clearer came the dropping notes,
Until, at last, two widening trunks disclosed

Athwart the star-lit midnight sky
Luminous fleecy clouds drift by,
As the mysterious, pallid moon
Sinks in the waveless still lagoon.
Now that the queen of night is dead,
The starry commonwealth o'erhead
(Softer and fairer than gaudy day)
Sheds lustrous light from the Milky Way;
While the Dog-star gleams, and the Sisters Seven,
Float tremulously in the misty heaven.
Faintly, afar the horse-bells ring;
Myriads of wakened crickets sing;
And the spirit voices of the night

Through the open French window the warm sun
Lights up the polished breakfast-table, laid
Round a bowl of crimson roses, for one -
A service of Worcester porcelain, arrayed
Near it a melon, peaches, figs, small hot
Rolls in a napkin, fairy rack of toast,
Butter in ice, high silver coffee-pot,
And, heaped on a salver, the morning's post.

She comes over the lawn, the young heiress,
From her early walk in her garden-wood,
Feeling that life's a table set to bless
Her delicate desires with all that's good.

Dear is the morning gale of spring,
And dear th' autumnal eve;
But few delights can summer bring
A Poet's crown to weave.

Her bowers are mute, her fountains dry,
And ever Fancy's wing
Speed's from beneath her cloudless sky
To autumn or to spring.

Sweet is the infant's waking smile,
And sweet the old man's rest -
But middle age by no fond wile,
No soothing calm is blest.

Still in the world's hot restless gleam
She plies her weary task,
While vainly for some pleasant dream

has not altered;--
a place as kind as it is green,
the greenest place I've never seen.
Every name is a tune.
Denunciations do not affect
the culprit; nor blows, but it
is torture to him to not be spoken to.
They're natural,--
the coat, like Venus'
mantle lined with stars,
buttoned close at the neck,-the sleeves new from disuse.

If in Ireland
they play the harp backward at need,
and gather at midday the seed
of the fern, eluding
their "giants all covered with iron," might

Languid, and sad, and slow, from day to day
I journey on, yet pensive turn to view
(Where the rich landscape gleams with softer hue)
The streams and vales, and hills, that steal away.
So fares it with the children of the earth:
For when life's goodly prospect opens round,
Their spirits beat to tread that fairy ground,
Where every vale sounds to the pipe of mirth.
But them vain hope and easy youth beguiles,
And soon a longing look, like me, they cast
Back on the pleasing prospect of the past: