Warnings

When Heaven sends sorrow,
Warnings go first,
Lest it should burst
With stunning might
On souls too bright
To fear the morrow.

Can science bear us
To the hid springs
Of human things?
Why may not dream,
Or thought's day-gleam,
Startle, yet cheer us?

Are such thoughts fetters,
While Faith disowns
Dread of earth's tones,


Walt Whitman

The master-songs are ended, and the man
That sang them is a name. And so is God
A name; and so is love, and life, and death,
And everything. But we, who are too blind
To read what we have written, or what faith
Has written for us, do not understand:
We only blink, and wonder.

Last night it was the song that was the man,
But now it is the man that is the song.
We do not hear him very much to-day:
His piercing and eternal cadence rings
Too pure for us --- too powerfully pure,


Waiting

The other frogs consider me aloof
And mock each out-of-season mating call,
But I regard my plight as living proof
That faith can foster something magical.
So crouching patiently above the scum
With chin uplifted, eyelids low and still,
I wait for my redeeming love to come.

With numbing numbers cruelly reduced
To caviar for snacking perch and trout,
Dessert for weary birds before they roost
Or toys that idle boys have caught for sport,
It all confirms my sense of destiny.


Visitation And Communion Of The Sick

O Youth and Joy, your airy tread
Too lightly springs by Sorrow's bed,
Your keen eye-glances are too bright,
Too restless for a sick man's sight.
Farewell; for one short life we part:
I rather woo the soothing art,
Which only souls in sufferings tried
Bear to their suffering brethren's side.

Where may we learn that gentle spell?
Mother of Martyrs, thou canst tell!
Thou, who didst watch thy dying Spouse
With pierced hands and bleeding brows,
Whose tears from age to age are shed


Verses on Sir Joshua Reynold's Painted Window at New College, Oxford

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,


Valedictory Sonnet to the River Duddon

I THOUGHT of Thee, my partner and my guide,
   As being pass'd away.--Vain sympathies!
   For, backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall for ever glide;
   The Form remains, the Function never dies;
   While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish;--be it so!
   Enough, if something from our hands have power
   To live, and act, and serve the future hour;


Verse For a Certain Dog

Such glorious faith as fills your limpid eyes,
Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
(For Heaven's sake, stop worrying that shoe!)
You look about, and all you see is fair;
This mighty globe was made for you alone.
Of all the thunderous ages, you're the heir.
(Get off the pillow with that dirty bone!)

A skeptic world you face with steady gaze;
High in young pride you hold your noble head,
Gayly you meet the rush of roaring days.
(Must you eat puppy biscuit on the bed?)


Upon Returning to the Country Road

Even the shrewd and bitter,
Gnarled by the old world's greed,
Cherished the stranger softly
Seeing his utter need.
Shelter and patient hearing,
These were their gifts to him,
To the minstrel, grimly begging
As the sunset-fire grew dim.
The rich said "You are welcome."
Yea, even the rich were good.
How strange that in their feasting
His songs were understood!
The doors of the poor were open,
The poor who had wandered too,
Who had slept with ne'er a roof-tree
Under the wind and dew.


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