god

After Death nothing is, and nothing, death,
The utmost limit of a gasp of breath.
Let the ambitious zealot lay aside
His hopes of heaven, whose faith is but his pride;
Let slavish souls lay by their fear
Nor be concerned which way nor where
After this life they shall be hurled.
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroyed with things unborn are kept.
Devouring time swallows us whole.
Impartial death confounds body and soul.

After Death nothing is, and nothing, death,
The utmost limit of a gasp of breath.
Let the ambitious zealot lay aside
His hopes of heaven, whose faith is but his pride;
Let slavish souls lay by their fear
Nor be concerned which way nor where
After this life they shall be hurled.
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroyed with things unborn are kept.
Devouring time swallows us whole.
Impartial death confounds body and soul.

SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.

How often do I wish I were
What people call a character;
A ripe and cherubic old chappie
Who lives to make his fellows happy;
With in his eyes a merry twinkle,
And round his lips a laughing wrinkle;
Who radiating hope and cheer
Grows kindlier with every year.
For this ideal let me strive,
And keep the lad in me alive;
Nor argument nor anger know,
But my own way serenly go;
The woes of men to understand,
Yet walk with humour hand in hand;
To love each day and wonder why

Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
II
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
III
He peddled paint from bar to bar;
From sordid rags a jewel shone,

This crowded life of God's good giving
No man has relished more than I;
I've been so goldarned busy living
I've never had the time to die.
So busy fishing, hunting, roving,
Up on my toes and fighting fit;
So busy singing, laughing, loving,
I've never had the time to quit.
II
I've never been one for thinking
I've always been the action guy;
I've done my share of feasting, drinking,
And lots of wenching on the sly.
What all the blasted cosmic show meant,
I've never tried to understand;

Our Lord Who did the Ox command
To kneel to Judah's King,
He binds His frost upon the land
To ripen it for Spring --
To ripen it for Spring, good sirs,
According to His Word.
Which well must be as ye can see --
And who shall judge the Lord?

When we poor fenmen skate the ice
Or shiver on the wold,
We hear the cry of a single tree
That breaks her heart in the cold --
That breaks her heart in the cold, good sirs,
And rendeth by the board.
Which well must be as ye can see --

I was an Arab,
I loved my horse;
Swift as an arrow
He swept the course.

Sweet as a lamb
He came to hand;
He was the flower
Of all the land.

Through lonely nights
I rode afar;
God lit His lights--
Star upon star.

God's in the desert;
His breath the air:
Beautiful desert,
Boundless and bare!

Free as the wild wind,
Light as a foal;
Ah, there is room there
To stretch one's soul.

Far reached my thought,

Awake, my heart's delight, awake
Thou Christian host, and hear
These tones that lovely music make,
God's Word most pure and clear,
That now is sweetly sounding,
While dawn is piercing through the night
Through God's dear love abounding.

The prophets' message now at last
Our ears may hear again,
Locked up therewith in silence fast
Long had the Gospel lain;
But now we hear their voices,
And many an anxious burdened soul
In freedom now rejoices.

For conscience lay oppressed and bound

Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.

They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
nakedness of the body,