Pauline Pavlovna

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.


Painted Head

By dark severance the apparition head
Smiles from the air a capital on no
Column or a Platonic perhaps head
On a canvas sky depending from nothing;

Stirs up an old illusion of grandeur
By tickling the instinct of heads to be
Absolute and to try decapitation
And to play truant from the body bush;

But too happy and beautiful for those sorts
Of head (homekeeping heads are happiest)
Discovers maybe thirty unwidowed years
Of not dishonoring the faithful stem;


My Husbands

My first I wed when just sixteen
And he was sixty-five.
He treated me like any queen
The years he was alive.
Oh I betrayed him on the sly,
Like any other bitch,
and how I longed for him to die
And leave me young and rich!

My second is a gigolo
I took when I was old;
That he deceives me well I know,
And hungers for my gold.
When I adore each silken hair
That crowns his handsome head,
I'm everlastingly aware
He wishes I were dead.

How I would love my vieux if he


Marriage

This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!


Marginalia

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
'Nonsense.' 'Please! ' 'HA! ! ' -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like


Leonardo's 'Monna Lisa

MAKE thyself known, Sibyl, or let despair
Of knowing thee be absolute; I wait
Hour-long and waste a soul. What word of fate
Hides 'twixt the lips which smile and still forbear?
Secret perfection! Mystery too fair!
Tangle the sense no more lest I should hate
Thy delicate tyranny, the inviolate
Poise of thy folded hands, thy fallen hair.
Nay, nay,--I wrong thee with rough words; still be
Serene, victorious, inaccessible;
Still smile but speak not; lightest irony
Lurk ever 'neath thine eyelids' shadow; still


Late Summer

(ALCAICS)


Confused, he found her lavishing feminine
Gold upon clay, and found her inscrutable;
And yet she smiled. Why, then, should horrors
Be as they were, without end, her playthings?

And why were dead years hungrily telling her
Lies of the dead, who told them again to her?
If now she knew, there might be kindness
Clamoring yet where a faith lay stifled.

A little faith in him, and the ruinous
Past would be for time to annihilate,
And wash out, like a tide that washes


Irony

Always, sweetheart,
Carry into your room the blossoming boughs of cherry,
Almond and apple and pear diffuse with light, that very
Soon strews itself on the floor; and keep the radiance of spring
Fresh quivering; keep the sunny-swift March-days waiting
In a little throng at your door, and admit the one who is plaiting
Her hair for womanhood, and play awhile with her, then bid her depart.

A come and go of March-day loves
Through the flower-vine, trailing screen;
A fluttering in of doves.


His Mate

IT MAY have been a fragment of that higher
Truth dreams, at times, disclose;
It may have been to Fond Illusion nigher—
But thus the story goes:
A fierce sun glared upon a gaunt land, stricken
With barrenness and thirst,
Where Nature’s pulse with joy of Spring would quicken
No more; a land accurst.

Gray salt-bush grimmer made the desolation—
Like mocking immortelles
Strewn on the graveyard of a perished nation
Whose name no record tells.

No faintest sign of distant water glimmered


Brother and Sister

I.

I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee's swinging chime,
Because the one so near the other is.

He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother's larger tread.

I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary


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