joy

My mother she had children five and four are dead and gone;
While I, least worthy to survive, persist in living on.
She looks at me, I must confess, sometimes with spite and bitterness.

My mother is three-score and ten, while I am forty-three,
You don't know how it hurts me when we go somewhere to tea,
And people tell her on the sly we look like sisters, she and I.

It hurts to see her secret glee; but most, because it's true.
Sometimes I think she thinks that she looks younger of the two.

What d'ye think, lad; what d'ye think,
As the roaring crowds go by?
As the banners flare and the brasses blare
And the great guns rend the sky?
As the women laugh like they'd all gone mad,
And the champagne glasses clink:
Oh, you're grippin' me hand so tightly, lad,
I'm a-wonderin': what d'ye think?

D'ye think o' the boys we used to know,
And how they'd have topped the fun?
Tom and Charlie, and Jack and Joe --
Gone now, every one.
How they'd have cheered as the joy-bells chime,

We have not heard the music of the spheres,
The song of star to star, but there are sounds
More deep than human joy and human tears,
That Nature uses in her common rounds;
The fall of streams, the cry of winds that strain
The oak, the roaring of the sea's surge, might
Of thunder breaking afar off, or rain
That falls by minutes in the summer night.
These are the voices of earth's secret soul,
Uttering the mystery from which she came.
To him who hears them grief beyond control,

In flat America, in Chicago,
Graceland cemetery on the German North Side.
Forty feet of Corinthian candle
celebrate Pullman embedded
lonely raisin in a cake of concrete.
The Potter Palmers float
in an island parthenon.
Barons of hogfat, railroads and wheat
are postmarked with angels and lambs.

But the Getty tomb: white, snow patterned
in a triangle of trees swims dappled with leaf shadow,
sketched light arch within arch
delicate as fingernail moons.

O Youth and Joy, your airy tread
Too lightly springs by Sorrow's bed,
Your keen eye-glances are too bright,
Too restless for a sick man's sight.
Farewell; for one short life we part:
I rather woo the soothing art,
Which only souls in sufferings tried
Bear to their suffering brethren's side.

Where may we learn that gentle spell?
Mother of Martyrs, thou canst tell!
Thou, who didst watch thy dying Spouse
With pierced hands and bleeding brows,
Whose tears from age to age are shed

Thou, who dost all my worldly thoughts employ,
Thou pleasing source of all my earthly joy:
Thou tend'rest husband, and thou best of friends,
To thee this first, this last adieu I send.
At length the conqu'ror death asserts his right,
And will for ever veil me from thy sight.
He wooes me to him with a chearful grace;
And not one terror clouds his meagre face.
He promises a lasting rest from pain;
And shews that all life's fleeting joys are vain.
Th' eternal scenes of heav'n he sets in view,

See how the pair of billing doves
With open murmurs own their loves;
And, heedless of censorious eyes,
Pursue their unpolluted joys;
No fears of future want molest
The downy quiet of their nest:
No int'rest join'd the happy pair,
Securely blest in Nature's care,
While her dictates they pursue;
For constancy is Nature too.
Can all the doctrine of the schools,
Our maxims, our religious rules,
Can learning to our lives ensure,
Virtue so bright, or bliss so pure?

God gives his mercies to be spent;
Your hoard will do your soul no good.
Gold is a blessing only lent,
Repaid by giving others food.

The world's esteem is but a bribe,
To buy their peace you sell your own;
The slave of a vainglorious tribe,
Who hate you while they make you known.

The joy that vain amusements give,
Oh! sad conclusion that it brings!
The honey of a crowded hive,
Defended by a thousand stings.

'Tis thus the world rewards the fools

Such glorious faith as fills your limpid eyes,
Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
(For Heaven's sake, stop worrying that shoe!)
You look about, and all you see is fair;
This mighty globe was made for you alone.
Of all the thunderous ages, you're the heir.
(Get off the pillow with that dirty bone!)

A skeptic world you face with steady gaze;
High in young pride you hold your noble head,
Gayly you meet the rush of roaring days.
(Must you eat puppy biscuit on the bed?)

Old King Cole
Was a merry old soul
And a merry old soul was he
He called for his pipe
and he called for his bowl
and he called for his fiddlers three


after Lord Tennyson


Cole, that unwearied prince of Colchester,
Growing more gay with age and with long days
Deeper in laughter and desire of life
As that Virginian climber on our walls
Flames scarlet with the fading of the year;
Called for his wassail and that other weed
Virginian also, from the western woods