To O.E.A

Your voice is the color of a robin's breast,
And there's a sweet sob in it like rain--still rain in the night.
Among the leaves of the trumpet-tree, close to his nest,
The pea-dove sings, and each note thrills me with strange delight
Like the words, wet with music, that well from your trembling throat.
I'm afraid of your eyes, they're so bold,
Searching me through, reading my thoughts, shining like gold.
But sometimes they are gentle and soft like the dew on the lips of the eucharis
Before the sun comes warm with his lover's kiss.


To Music

Music: breathing of statues. Perhaps:
silence of paintings. You language where all language
ends. You time
standing vertically on the motion of mortal hearts.

Feelings for whom? O you the transformation
of feelings into what?--: into audible landscape.
You stranger: music. You heart-space
grown out of us. The deepest space in us,
which, rising above us, forces its way out,--
holy departure:
when the innermost point in us stands
outside, as the most practiced distance, as the other
side of the air:


To Mr. H. Lawes on His Airs

Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phœbus’ quire,
That tunest their happiest lines in hymn or story.


To Mr. Addison on His Opera of Rosamond

Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.


The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.


To Mignon

Over vale and torrent far
Rolls along the sun's bright car.
Ah! he wakens in his course

Mine, as thy deep-seated smart

In the heart.
Ev'ry morning with new force.

Scarce avails night aught to me;
E'en the visions that I see
Come but in a mournful guise;

And I feel this silent smart

In my heart
With creative pow'r arise.

During many a beauteous year
I have seen ships 'neath me steer,
As they seek the shelt'ring bay;

But, alas, each lasting smart

In my heart


To Maecenas

MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,


To Leonide Massine in Cleopatra

O beauty doomed and perfect for an hour,
Leaping along the verge of death and night,
You show me dauntless Youth that went to fight
Four long years past, discovering pride and power.

You die but in our dreams, who watch you fall
Knowing that to-morrow you will dance again.
But not to ebbing music were they slain
Who sleep in ruined graves, beyond recall;
Who, following phantom-glory, friend and foe,
Into the darkness that was War must go;
Blind; banished from desire.
O mortal heart


To Joseph Joachim

Belov'd of all to whom that Muse is dear
Who hid her spirit of rapture from the Greek,
Whereby our art excelleth the antique,
Perfecting formal beauty to the ear;
Thou that hast been in England many a year
The interpreter who left us nought to seek,
Making Beethoven's inmost passion speak,
Bringing the soul of great Sebastian near.
Their music liveth ever, and 'tis just
That thou, good Joachim, so high thy skill,
Rank (as thou shalt upon the heavenly hill)
Laurel'd with them, for thy ennobling trust


To Erinna

Was Time not harsh to you, or was he kind,
O pale Erinna of the perfect lyre,
That he has left no word of singing fire
Whereby you waked the dreaming Lesbian wind,
And kindled night along the lyric shore?
O girl whose lips Erato stooped to kiss,
Do you go sorrowing because of this
In fields where poets sing forevermore?
Or are you glad and is it best to be
A silent music men have never heard,
A dream in all our souls that we may say:
"Her voice had all the rapture of the sea,


To Elizabeth Ward Perkins

Dear Bessie, would my tired rhyme
Had force to rise from apathy,
And shaking off its lethargy
Ring word-tones like a Christmas chime.

But in my soul's high belfry, chill
The bitter wind of doubt has blown,
The summer swallows all have flown,
The bells are frost-bound, mute and still.

Upon the crumbling boards the snow
Has drifted deep, the clappers hang
Prismed with icicles, their clang
Unheard since ages long ago.

The rope I pull is stiff and cold,


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