To Hermann Stoffkraft, Ph.D., the Hero of a Recent Work Called Paradoxical Philosophy

A paradoxical ode, after Shelley.


I.

My soul is an entangled knot,
Upon a liquid vortex wrought
By Intellect, in the Unseen residing,
And thine cloth like a convict sit,
With marlinspike untwisting it,
Only to find its knottiness abiding;
Since all the tools for its untying
In four-dimensioned space are lying
Wherein thy fancy intersperses
Long avenues of universes,
While Klein and Clifford fill the void
With one finite, unbounded homaloid,


To an Aged Cut-Up

Horace: Book III, Ode 15

"Uxor pauperis Ibyci,
Tandem nequitiæ fige modum tuæ--"

IN CHLORIN


Dear Mrs. Ibycus, accept a little sound advice,
Your manners and your speech are overbold;
To chase around the sporty way you do is far from nice;
Believe me, darling, you are growing old.

Now Pholoë may fool around (she dances like a doe!)
A débutante has got to think of men;
But you were twenty-seven over thirty years ago--
You ought to be asleep at half-past ten.


The Sixth Sense

Fine is the wine that is in love with us,
The goodly bread we wait for from the oven,
And woman whom we have possessed, at last,
After we've suffered under yoke her own.

But what to do if a red sunset freezes
Above a sky that's drowning in cold,
Where there is silence and unearthly peace,
What can one do with the immortal ode?

You can't eat it, or drink, or even kiss ...
The moment fled, and next one now hovers,
And we wring hands, but yet once more miss -
We are condemned to miss and miss it over.


The Robin's my Criterion for Tune

285

The Robin's my Criterion for Tune—
Because I grow—where Robins do—
But, were I Cuckoo born—
I'd swear by him—
The ode familiar—rules the Noon—
The Buttercup's, my Whim for Bloom—
Because, we're Orchard sprung—
But, were I Britain born,
I'd Daisies spurn—
None but the Nut—October fit—
Because, through dropping it,
The Seasons flit—I'm taught—
Without the Snow's Tableau
Winter, were lie—to me—
Because I see—New Englandly—
The Queen, discerns like me—
Provincially—


The Secret of the Universe

AN ODE
(By a Western Spinning Dervish)


I SPIN, I spin, around, around,
And close my eyes,
And let the bile arise
From the sacred region of the soul’s Profound;
Then gaze upon the world; how strange! how new!
The earth and heaven are one,
The horizon-line is gone,
The sky how green! the land how fair and blue!
Perplexing items fade from my large view,
And thought which vexed me with its false and true
Is swallowed up in Intuition; this,


The Prelude. book V

WHEN Contemplation, like the night-calm felt
Through earth and sky, spreads widely, and sends deep
Into the soul its tranquillising power,
Even then I sometimes grieve for thee, O Man,
Earth's paramount Creature! not so much for woes
That thou endurest; heavy though that weight be,
Cloud-like it mounts, or touched with light divine
Doth melt away; but for those palms achieved
Through length of time, by patient exercise
Of study and hard thought; there, there, it is
That sadness finds its fuel. Hitherto,


The Portent

Horace, BK. V. Ode 20.


Oh, late withdrawn from human-kind
And following dreams we never knew!
Varus, what dream has Fate assigned
To trouble you?

Such virtue as commends of law
Of Virtue to the vulgar horde
Suffices not. You needs must draw
A righteous sword;

And, flagrant in well-doing, smite
The priests of Bacchus at their fane,
Lest any worshipper invite
The God again.

Whence public strife and naked crime
And-deadlier than the cup you shun--


The Passions. An Ode to Music

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart


The Passions

An Ode for Music

When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart


The Ode of Tarafah

A young gazelle there is in the tribe, dark-lipped, fruit-shaking,

flaunting a double necklace of pearls and topazes,

holding aloof, with the herd grazing in the lush thicket,

nibbling the tips of the arak-fruit, wrapped in her cloak.

Her dark lips part in a smile, teeth like a comomile

on a moist hillock shining amid the virgin sands,

whitened as it were by the sun's rays, all but her gums

that are smeared with colyrium -- she gnaws not against them;


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