The House Of Dust Part 02 07 Two Lovers Overtones

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.


The Gum-Gatherer

There overtook me and drew me in
To his down-hill, early-morning stride,
And set me five miles on my road
Better than if he had had me ride,
A man with a swinging bag for'load
And half the bag wound round his hand.
We talked like barking above the din
Of water we walked along beside.
And for my telling him where I'd been
And where I lived in mountain land
To be coming home the way I was,
He told me a little about himself.
He came from higher up in the pass
Where the grist of the new-beginning brooks


The Geranium

How can you stand it—looking at things?
For example, the geranium

out on the patio, the single pink
blossom in the sun? Or stand the sunlight
moving through it,

illuminating, holding the flower open like a high
clear note, an ecstatic
widening

which arrives, arrives. What
do you dowith it? While the shrubs and the lowest
overhanging leaves

lift slightly in the wind, the blossom

doesn't move. It's the object
of affection, and this is how
it hurts you:


The Front Tooth

A-sittin' in the Bull and Pump
With double gins to keep us cheery
Says she to me, says Polly Crump"
"What makes ye look so sweet. me dearie?
As if ye'd gotten back yer youth . . . ."
Says I: "It's just me new front tooth."

Says Polly Crump: "A gummy grin
Don't help to make one's business active;
We gels wot gains our bread by sin
Have got to make ourselves attractive.
I hope yer dentist was no rook?"
Says I: "A quid is what he took."

Says Polly Crump: "The shoes you wear


The Flower-School

When storm-clouds rumble in the sky and June showers come down.
The moist east wind comes marching over the heath to blow its
bagpipes among the bamboos.
Then crowds of flowers come out of a sudden, from nobody knows
where, and dance upon the grass in wild glee.
Mother, I really think the flowers go to school underground.
They do their lessons with doors shut, and if they want to
come out to play before it is time, their master makes them stand
in a corner.
When the rain come they have their holidays.


The Fish

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested


The Fairy Goldsmith

Here's a wonderful thing,
A humming-bird's wing
In hammered gold,
And store well chosen
Of snowflakes frozen
In crystal cold.

Black onyx cherries
And mistletoe berries
Of chrysoprase,
Jade buds, tight shut,
All carven and cut
In intricate ways.

Here, if you please
Are little gilt bees
In amber drops
Which look like honey,
Translucent and sunny,
From clover-tops.

Here's an elfin girl
Of mother-of-pearl
And moonshine made,


The Englishman In Italy

PIANO DI SORRENTO

Fort, Fort, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco.
Now, open your eyes,
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the Plain saw me gather, I garland
---The flowers or the weeds.

Time for rain! for your long hot dry Autumn
Had net-worked with brown


The Deserted Garden

I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.

Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,


The Dead

Their reward is
they become innocent again,

and when they reappear in memory
death has completely erased
the blurs, given them boundaries. They rise

and move through their new world with clean,
clear edges. My grandmother, in particular
has become buoyant, unattached finally

from her histories, from the trappings
of family. By no means was she

a good woman. But the dead don't care anymore for that.
Weightless, they no longer assume
responsibility, they no longer


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