poem

to Robert Hass and in memory of Elliot Gilbert


Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,

The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. 'Bashõ'

He named himself, 'Banana Tree': banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance

Threading a long night through the rules and channels

she's young, she said,
but look at me,
I have pretty ankles,
and look at my wrists, I have pretty
wrists
o my god,
I thought it was all working,
and now it's her again,
every time she phones you go crazy,
you told me it was over
you told me it was finished,
listen, I've lived long enough to become a
good woman,
why do you need a bad woman?
you need to be tortured, don't you?
you think life is rotten if somebody treats you
rotten it all fits,
doesn't it?

The Rav
of Northern White Russia declined,
in his youth, to learn the
language of birds, because
the extraneous did not interest him; nevertheless
when he grew old it was found
he understood them anyway, having
listened well, and as it is said, 'prayed
          with the bench and the floor.' He used
what was at hand--as did
Angel Jones of Mold, whose meditations
were sewn into coats and britches.
          Well, I would like to make,
thinking some line still taut between me and them,

Today, I sat me down to ponder
Why I write like this:
Four metric feet, first line of text,
And three feet in the next.
This sing-song meter ambles on
From line to line, and then,
A rhyme is put, delightfully,
To have the stanza end.

From where the rhythm and the style?
From where I caught the rhyme?
I thought back to my schooling days,
And poem-reading time.

Ancient Mariner is one
That I remember well:
Its rhyme and rhythm still come through,
As clearly as a bell:

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,

I saw, or dreamed I saw, her sitting lone,
Her neck bent like a swan's, her brown eyes thrown
On some sweet poem -- his, I think, who sings
|Oenone, or the hapless Maud: no rings
Flashed from the dainty fingers, which held back
Her beautiful blonde hair. Ah! would these black
Locks of mine own were mingling with it now,
And these warm lips were pressed against her brow!
And, as she turned a page, methought I heard --
Hush! could it be? -- a faintly murmured word,
It was so softly dwelt on -- such a smile

(The poem shows the Master, with his work done, singing to free his heart in Heaven.)


I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.

All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.

I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting
for someone to really discover America
and wail
and I am waiting
for the discovery
of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy

I am offering this poem to you,
since I have nothing else to give.
Keep it like a warm coat,
when winter comes to cover you,
or like a pair of thick socks
the cold cannot bite through,

I love you,

I have nothing else to give you,
so it is a pot full of yellow corn
to warm your belly in the winter,
it is a scarf for your head, to wear
over your hair, to tie up around your face,

I love you,

Keep it, treasure it as you would
if you were lost, needing direction,

With a love a madness for Shelley
Chatterton Rimbaud
and the needy-yap of my youth
has gone from ear to ear:
I HATE OLD POETMEN!
Especially old poetmen who retract
who consult other old poetmen
who speak their youth in whispers,
saying:--I did those then
but that was then
that was then--
O I would quiet old men
say to them:--I am your friend
what you once were, thru me
you'll be again--
Then at night in the confidence of their homes