Moonlit Mountain Laurel

by Regina

She rests atop the pines of a dusky ridge backbone,
and presides over the Appalachian country
church cemetery,
she casts her light upon Mountain Laurel,
pristine white of purity and gracefulness,
assembled as if flirtatious, fluttering eyes
young maidens awaiting their betrothed,
to serve their beaus the bounty of a
Sunday church picnic,
in the heart of summer,
with deep kisses neath blooming magnolia
trees,
a vision my eyes behold, of long ago,
their peaceful presence
of moonlit Mountain Laurel.

While Summer Suns O'er the Gay Prospect Play'd

While summer suns o'er the gay prospect play'd,
Through Surrey's verdant scenes, where Epsom spread
'Mid intermingling elms her flowery meads,
And Hascombe's hill, in towering groves array'd,
Rear'd its romantic steep, with mind serene,
I journey'd blithe. Full pensive I return'd;
For now my breast with hopeless passion burn'd,
Wet with hoar mists appear'd the gaudy scene,
Which late in careless indolence I pass'd;
And Autumn all around those hues had cast
Where past delight my recent grief might trace.


Verses on Sir Joshua Reynold's Painted Window at New College, Oxford

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,


Unde Malum

Where does evil come from?
It comes
from man
always from man
only from man
- Tadeusz Rozewicz
Alas, dear Tadeusz,
good nature and wicked man
are romantic inventions
you show us this way
the depth of your optimism
so let man exterminate
his own species
the innocent sunrise will illuminate
a liberated flora and fauna
where oak forests reclaim
the postindustrial wasteland
and the blood of a deer
torn asunder by a pack of wolves
is not seen by anyone


Town Eclogues Thursday the Bassette-Table

SMILINDA and CARDELIA.CARDELIA.
THE bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room ?
Rise, pensive nymph ! the tallier stays for you.

SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --

CARDELIA.
Is this the cause of your romantic strains ?


To Contemplation

Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.

Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.


Thursday, the Bassette-Table

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.


The Tear

When Friendship or Love
Our sympathies move;
When Truth, in a glance, should appear,
The lips may beguile,
With a dimple or smile,
But the test of affection's a Tear:

Too oft is a smile
But the hypocrite's wile,
To mask detestation, or fear;
Give me the soft sigh,
Whilst the soultelling eye
Is dimm'd, for a time, with a Tear:

Mild Charity's glow,
To us mortals below,
Shows the soul from barbarity clear;
Compassion will melt,


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