Many are good and wise; yet all for one only reckon,
For 'tis conception, alas, rules them, and not a fond heart.
Sad is the sway of conception,--from thousandfold varying figures,
Needy and empty but one it is e'er able to bring.
But where creative beauty is ruling, there life and enjoyment
Dwell; to the ne'er-changing One, thousands of new forms she gives.
I
A HAPPY MAN
(Carphyllides)
When these graven lines you see,
Traveler, do not pity me;
Though I be among the dead,
Let no mournful word be said.
Children that I leave behind,
And their children, all were kind;
Near to them and to my wife,
I was happy all my life.
My three sons I married right,
And their sons I rocked at night;
Death nor sorrow ever brought
Cause for one unhappy thought.
Now, and with no need of tears,
It takes a lot of a person's life
To be French, or English, or American
Or Italian. And to be at any age. To live at any certain time.
The Polish-born resident of Manhattan is not merely a representative of
general humanity
And neither is this Sicilian fisherman stringing his bait
Or to be any gender, born where or when
Betty holding a big plate
Karen crossing her post-World War Two legs
And smiling across the table
These three Italian boys age about twenty gesturing and talking
June 30th, 1919
Notably fond of music, I dote on a
clearer tone
Than ever was blared by a bugle or zoomed
by a saxophone;
And the sound that opens the gates for me of
a Paradise revealed
Is something akin to the note revered by the
blesséd Eugene Field,
Who sang in pellucid phrasing that I perfectly
will recall
Of the clink of the ice in the pitcher that the
boy brings up the hall.
But sweeter to me than the sparrow's song or
the goose's autumn honks
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin'd itself
Into calendar months and days.
This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss'd
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin'd itself
Into calendar months and days.
This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss'd
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
It lieth low near merry England's heart
Like a long-buried sin; and Englishmen
Forget that in its death their sires had part.
And, like a sin, Time lays it bare again
To tell of races wronged,
And ancient glories suddenly overcast,
And treasures flung to fire and rabble wrath.
If thou hast ever longed
To lift the gloomy curtain of Time Past,
And spy the secret things that Hades hath,
Here through this riven ground take such a view.
The dust, that fell unnoted as a dew,
All love that has not friendship for its base,
Is like a mansion built upon the sand.
Though brave its walls as any in the land,
And its tall turrets lift their heads in grace;
Though skillful and accomplished artists trace
Most beautiful designs on every hand,
And gleaming statues in dim niches stand,
And mountains play in some flow'r-hidden place:
Yet, when from the frowning east a sudden gust
Of adverse fate is blown, or sad rains fall
Day in, day out, against its yielding wall,
'Twere getting dusk, one winter's night,
When up the clough there came in sight,
A lad who carried through the snow,
A banner with this 'ere motto...
'Uppards'
His face was glum as he did pass,
His eyes were shiny... just like glass,
And as he went upon his way,
He nobbut this 'ere word did say...
'Uppards'
And people sitting down to tea,
They heard him plan, as plain can be,
They thowt 'twere final football score,
As this 'ere word rang out once more...
'Uppards'
Hail sacred shades! cool, leavy House!
Chaste treasurer of all my vows,
And wealth! on whose soft bosom laid
My love's fair steps I first betrayed:
Henceforth no melancholy flight,
No sad wing, or hoarse bird of night,
Disturb this air, no fatal throat
Of raven, or owl, awake the note
Of our laid echo, no voice dwell
Within these leaves, but Philomel.
The poisonous ivy here no more
His false twists on the oak shall score,
Only the woodbine here may twine
As th'emblem of her love and mine;
