smile

When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers are
painted in tints-when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music
in leaves, and why waves send their chorus of voices to the heart
of the listening earth-when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why
there is honey in the cup of the flower, and why fruits are

Wasn't on purpose that I drilled
through my finger or the nurse
laughed. She apologized
three times and gave me a shot
of something that was a lusher
apology. The person
who drove me home
said my smile was a smeared
totem that followed
his body that night as it arced
over a cliff in a dream.
He's always flying
in his dreams and lands
on cruise ships or hovers
over Atlanta with an erection.
He put me to bed and the drugs
wore off and I woke

What magic is there in thy mien
What sorcery in thy smile,
Which charms away all cark and care,
Which turns the foul days into fair,
And for a little while
Changes this disenchanted scene
From the sere leaf into the green,
Transmuting with love's golden wand
This beggared life to fairyland?

My heart goes forth to thee, oh friend,
As some poor pilgrim to a shrine,
A pilgrim who has come from far
To seek his spirit's folding star,
And sees the taper shine;

Husbands are things that wives have to get used to putting up with.
And with whom they breakfast with and sup with.
They interfere with the discipline of nurseries,
And forget anniversaries,
And when they have been particularly remiss
They think they can cure everything with a great big kiss,
And when you tell them about something awful they have done they just
look unbearably patient and smile a superior smile,
And think, Oh she'll get over it after a while.
And they always drink cocktails faster than they can assimilate them,

The Palms stood motionless as Pyramids
Against the golden halo of the sky;
Interminable crops of wheat and rye
Mantled the plain with downy coverlids
Of silken green, where little freckled kids
Frolicked beneath the staid maternal eye;
And babe-led buffaloes plashed trampling by,
Sprinkling cool water on their dusty lids.

Spake the grave Arab, as his flashing glance
Swept the large, luminous verdure's dewy sheen,
Sedately, with a bronze-like countenance:
"Nehârak Saîd! Lo, this happy day,

Weep you no more, sad fountains;
What need you flow so fast?
Look how the snowy mountains
Heaven's sun doth gently waste.
But my sun's heavenly eyes
View not your weeping,
That now lies sleeping
Softly, now softly lies
Sleeping.

Sleep is a reconciling,
A rest that peace begets:
Doth not the sun rise smiling
When fair at even he sets?
Rest you then, rest, sad eyes,
Melt not in weeping,

The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.

The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,

O Lord my God, do thou Thy holy will -
I will lie still -
I will not stir, lest I forsake Thine arm,
And break the charm
Which lulls me, clinging to my Father's breast,
In perfect rest.

Wild fancy, peace! thou must not me beguile
With thy false smile:
I know thy flatteries and thy cheating ways;
Be silent, Praise,
Blind guide with siren voice, and blinding all
That hear thy call.

Come, Self-devotion, high and pure,
Thoughts that in thankfulness endure,

The tale of the Count our glad song shall record

Who had in this castle his dwelling,
Where now ye are feasting the new-married lord,

His grandson of whom we are telling.
The Count as Crusader had blazon'd his fame,
Through many a triumph exalted his name,
And when on his steed to his dwelling he came,

His castle still rear'd its proud head,
But servants and wealth had all fled.

'Tis true that thou, Count, hast return'd to thy home,

But matters are faring there ill.

"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear."
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves. . . .

"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad