sorry

"Black is the sky, but the land is white--
(O the wind, the snow and the storm!)--
Father, where is our boy to-night?
Pray to God he is safe and warm."

"Mother, mother, why should you fear?
Safe is he, and the Arctic moon
Over his cabin shines so clear--
Rest and sleep, 'twill be morning soon."

"It's getting dark awful sudden. Say, this is mighty queer!
Where in the world have I got to? It's still and black as a tomb.

Mr. Blake was a regular out-and-out hardened sinner,
Who was quite out of the pale of Christianity, so to speak,
He was in the habit of smoking a long pipe and drinking a glass of
grog on a Sunday after dinner,
And seldom thought of going to church more than twice or - if Good
Friday or Christmas Day happened to come in it - three times a
week.

He was quite indifferent as to the particular kinds of dresses
That the clergyman wore at church where he used to go to pray,

“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”

“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;

The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.

either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being

I—THE LURE

No, no,—forget your Cricket and your Ant,
For I shall never set my name to theirs
That now bespeak the very sons and heirs
Incarnate of Queen Gossip and King Cant.
The case of Leffingwell is mixed, I grant,
And futile Seems the burden that he bears;
But are we sounding his forlorn affairs
Who brand him parasite and sycophant?

I tell you, Leffingwell was more than these;
And if he prove a rather sorry knight,
What quiverings in the distance of what light

I Laugh at Life: its antics make for me a giddy games,
Where only foolish fellows take themselves with solemn aim.
I laugh at pomp and vanity, at riches, rank and pride;
At social inanity, at swager, swank and side.
At poets, pastry-cooks and kings, at folk sublime and small,
Who fuss about a thousand things that matter not at all;
At those who dream of name and fame, at those who scheme for pelf. . . .
But best of all the laughing game - is laughing at myself.
II
Some poet chap had labelled man the noblest work of God:

It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;

At her low quaint wheel she sits to spin,
Deftly drawing the long, light rolls
Of carded wool through her finders thin,
By the fireside at the Isles of Shoals.

She is not pretty, she is not young,
Poor homesick Karen, who sits and spins,
Humming a song in her tongue,
That falters and stops, and again begins,

While her wheel flies fast, with its drowsy hum,
And she makes a picture of pensive grace
As thoughts of her well-loved Norway come
And deepen the shadows across her face.

“Tell me what you’re doing over here, John Gorham,
Sighing hard and seeming to be sorry when you’re not;
Make me laugh or let me go now, for long faces in the moonlight
Are a sign for me to say again a word that you forgot.”—

“I’m over here to tell you what the moon already
May have said or maybe shouted ever since a year ago;
I’m over here to tell you what you are, Jane Wayland,
And to make you rather sorry, I should say, for being so.”—

“Tell me what you’re saying to me now, John Gorham,