wedding

Unpenitent, I grieve to state,
Two good men stood by heaven's gate,
Saint Peter coming to await.
The stopped the Keeper of the Keys,
Saying: "What suppliants are these,
Who wait me not on bended knees?

"To get my heavenly Okay
A man should have been used to pray,
Or suffered in some grievous way."

"Oh I have suffered," cried the first.
"Of wives I had the wicked worst,
Who made my life a plague accurst.

"Such martyrdom no tongue can tell;
In mercy's name it is not well

There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,--
Go fetch us that maiden to gladden our cheer!"

"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.

Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,

Two lovers by a moss-grown spring:
They leaned soft cheeks together there,
Mingled the dark and sunny hair,
And heard the wooing thrushes sing.
O budding time!
O love's blest prime!

Two wedded from the portal stept:
The bells made happy carolings,
The air was soft as fanning wings,
White petals on the pathway slept.
O pure-eyed bride!
O tender pride!

Two faces o'er a cradle bent:
Two hands above the head were locked:
These pressed each other while they rocked,

How many hours in a day?
They number twenty four.
How many hours can one give love?
Well, lovers don't keep score.

A clock that tells the time of day
Can't measure gifts of love,
Not those expected here on earth,
Nor sent us from above.

The clock ticks on incessantly
When lovers are apart;
And time drags on relentlessly
With every beat of heart.

Yet, hearts beat so expectantly
When lovers plan to meet;
While clocks and watches stand aside,
With time in full retreat.

After the movie, when the lights come up,
He takes her powdered hand behind the wings;
She, all in yellow, like a buttercup,
Lifts her white face, yearns up to him, and clings;
And with a silent, gliding step they move
Over the footlights, in familiar glare,
Panther-like in the Tango whirl of love,
He fawning close on her with idiot stare.
Swiftly they cross the stage. O lyric ease!
The drunken music follows the sure feet,
The swaying elbows, intergliding knees,
Moving with slow precision on the beat.

ROXANA from the court retiring late,
Sigh'd her soft sorrows at St. JAMES's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen |w^th^| more weight opprest;
They groan the cruel load they're doom'd to bear ;
She in these gentler sounds express'd her care.

" Was it for this, that I these Roses wear,
" For this new-set my Jewels for my hair ?
" Ah ! Princess ! with what zeal have I pursu'd !
" Almost forgot the duty of a Prude.
" Thinking I never cou'd attend too soon,

A Girl’s Reverie

Mother says, ‘Be in no hurry,
Marriage oft means care and worry.’

Auntie says, with manner grave,
‘Wife is synonym for slave.’

Father asks, in tones commanding,
‘How does Bradstreet rate his standing? ’

Sister, crooning to her twins,
Sighs, ‘With marriage care begins.’

Grandma, near life’s closing days,
Murmurs, ‘Sweet are girlhood’s ways.’

Maud, twice widowed (‘sod and grass’)
Looks at me and moans ‘Alas! ’

They are six, and I am one,

I

Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?

II

Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!

III

And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?

IV

When, Lizbie Browne,

I leave for thee, beloved one,
The home and friends of youth,
Trusting my hopes, my happiness,
Unto thy love and truth;
I leave for thee my girlhood's joys,
Its sunny, careless mirth,
To bear henceforth my share amid
The many cares of earth.

And yet, no wild regret I give
To all that now I leave,
The golden dreams, the flow'ry wreaths
That I no more may weave;
The future that before me lies
A dark and unknown sea --
Whate'er may be its storms or shoals,

I.

Long in thy shackels, liberty
I ask not from these walls, but thee;
Left for awhile anothers bride,
To fancy all the world beside.

II.

Yet e're I doe begin to love,
See, how I all my objects prove;
Then my free soule to that confine,
'Twere possible I might call mine.

III.

First I would be in love with peace,
And her rich swelling breasts increase;
But how, alas! how may that be,
Despising earth, she will love me?

IV.