LONDON, thou art of townes A per se.
   Soveraign of cities, seemliest in sight,
Of high renoun, riches and royaltie;
   Of lordis, barons, and many a goodly knyght;
   Of most delectable lusty ladies bright;
Of famous prelatis, in habitis clericall;
   Of merchauntis full of substaunce and of myght:
London, thou art the flour of Cities all.

Gladdith anon, thou lusty Troynovaunt,
   Citie that some tyme cleped was New Troy;

After a year I came again to the place;
The tireless lights and the reverberation,
The angry thunder of trains that burrow the ground,
The hunted, hurrying people were still the same--
But oh, another man beside me and not you!
Another voice and other eyes in mine!
And suddenly I turned and saw again
The gleaming curve of tracks, the bridge above--
They were burned deep into my heart before,
The night I watched them to avoid your eyes,
When you were saying, "Oh, look up at me!"
When you were saying, "Will you never love me?"

to Robert Hass and in memory of Elliot Gilbert


Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,

The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. 'Bashõ'

He named himself, 'Banana Tree': banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance

Threading a long night through the rules and channels

How can I wait until you come to me?
The once fleet mornings linger by the way;
Their sunny smiles touched with malicious glee
At my unrest, they seem to pause, and play
Like truant children, while I sigh and say,
How can I wait?

How can I wait? Of old, the rapid hours
Refused to pause or loiter with me long;
But now they idly fill their hands with flowers,
And make no haste, but slowly stroll among
The summer blooms, not heeding my one song,
How can I wait?

How can I wait? The nights alone are kind;

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,

Timur, I hear, took the trouble to conquer the earth.
I don't understand him.
With a bit of hard liquor you can forget the earth.

I'm not saying anything against Alexander,
Only I have seen people who were remarkable,
Highly deserving of your admiration
For the fact that they were alive at all.

Great men generate too much sweat.
In all of this I see just a proof that
They couldn't stand being on their own
And smoking and drinking and the like.
And they must be too mean-spirited to get
Contentment from sitting by a woman.

In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power.
The first son is captivated by a virgin princess, and his father tells him the adventures of a beautiful and virtuous woman who attracts several men but miraculously survives their abuse and then forgives them. They acknowledge that carnal desire is necessary to propagate the race but also recognize that passionate love can lead to spiritual love, which can annihilate the soul in the beloved.

That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
Missoula, on the outskirts of Reno,

I shall soon fall prey to rot.
Though it's hard to die, it's good to die;
I shall ask for no one's pity,
And there's no one who would pity me.

With my lyre I won no glory
For my noble family name;
And I die as distant from my people
As the day that I began to live.

Ties of friendship, unions of the heart-
All are broken: from my youth,
Fate has sent me foes implacable,
While my friends all perished in the struggle.

Their prophetic songs were left unfinished,
They fell victim to misfortune, were betrayed