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Song of Diego Valdez

1902

The God of Fair Beginnings
Hath prospered here my hand --
The cargoes of my lading,
And the keels of my command.
For out of many ventures
That sailed with hope as high,
My own have made the better trade,
And Admiral am I.

To me my King's much honour,
To me my people's love --
To me the pride of Princes
And power all pride above;
To me the shouting cities,
To me the mob's refrain: --
'Who knows not noble Valdez
'Hath never heard of Spain.'

But I remember comrades --

Song In March

NOW are the winds about us in their glee,
Tossing the slender tree;
Whirling the sands about his furious car,
March cometh from afar;
Breaks the sealed magic of old Winter’s dreams,
And rends his glassy streams;
Chafing with potent airs, he fiercely takes
Their fetters from the lakes,
And, with a power by queenly Spring supplied,
Wakens the slumbering tide.

With a wild love he seeks young Summer’s charms
And clasps her to his arms;
Lifting his shield between, he drives away
Old Winter from his prey;—

Song II

Why flatter thyself, Tyrant,
In ways great in evil?
The Lord's goodness ceases not
Keeping watch on the pious.

Keener yet than the keenest
Blade, thy tongue watches
To generate wild untruth
And plot slander' gainst the good.

Evil's thy love, not sacred virtues;
A lier's thy love, not a truthsayer;
Thine own accursed eye in joy
Gazes at treason most infectious.

For this the Lord God shall fling
Thee from the midst of His people;
Grinding thee to dust, aye, thy home
He'll rend asunder from the very earth.

Song from 'Paracelsus

HEAP cassia, sandal-buds and stripes
   Of labdanum, and aloe-balls,
Smear'd with dull nard an Indian wipes
   From out her hair: such balsam falls
   Down sea-side mountain pedestals,
From tree-tops where tired winds are fain,
Spent with the vast and howling main,
To treasure half their island-gain.

And strew faint sweetness from some old
   Egyptian's fine worm-eaten shroud
Which breaks to dust when once unroll'd;
   Or shredded perfume, like a cloud

Song from Judith 3

Balkis was in her marble town,
And shadow over the world came down.
Whiteness of walls, towers and piers,
That all day dazzled eyes to tears,
Turned from being white-golden flame,
And like the deep-sea blue became.
Balkis into her garden went;
Her spirit was in discontent
Like a torch in restless air.
Joylessly she wandered there,
And saw her city's azure white
Lying under the great night,
Beautiful as the memory
Of a worshipping world would be
In the mind of a god, in the hour
When he must kill his outward power;

Song from Aella

O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Sweet his tongue as the throstle's note,

Song For The Last Act

Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd's crook.
Beyond, a garden, There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.

Now that I have your face by heart, I look.

Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music's cage,

Song For Saint Cecilia's Day, 1687

From Harmony, from heavenly Harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
And Music's power obey.
From Harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

Song

And when our streets are green again
When metalled roads are green
And girls walk barefoot through the weeds
Of Regent Street, Saint Martin's Lane

And children hide in factories
Where burdock blooms and vetch and rust,
And elms and oaks and chestnut trees
Are tall again and hope is lost

When up the Strand the foxes glide
And hedgehogs sniff and wildcats yell
And golden orioles come back
To flash through Barnes and Clerkenwell

When governments and industries
Lie choked by weeds in fertile rain

Sonet

FRA bank to bank, fra wood to wood I rin,
   Ourhailit with my feeble fantasie;
   Like til a leaf that fallis from a tree,
Or til a reed ourblawin with the win.

Twa gods guides me: the ane of tham is blin,
   Yea and a bairn brocht up in vanitie;
   The next a wife ingenrit of the sea,
And lichter nor a dauphin with her fin.

Unhappy is the man for evermair
   That tills the sand and sawis in the air;