The Face of the Waters
Once again the scurry of feet — those myriads
crossing the black granite; and again
laughter cruelly in pursuit; and then
the twang like a harpstring or the spring of a trap,
and the swerve on the polished surface: the soft little pads
sidling and skidding and avoiding; but soon caught up
in the hand of laughter and put back —
There is no release from the rack
of darkness for the unformed shape,
the unexisting thought
stretched half-and-half
in the shadow of beginning and that denser black
under the imminence of huge pylons —
the deeper nought;
but neither is there anything to escape,
or to laugh,
or to twang that string which is not a string but silence
plucked at the heart of silence.
Nor can there be a floor to the bottomless;
except in so far as conjecture must arrive
lungs cracking, at the depth of its dive;
where downward further is further distress
with no change in it; as if a mile and an inch
are equally squeezed into a pinch,
and retreating limits of cold mind
frozen, smoothed, defined.
Out of the tension of silence (the twanged string);
from the agony of not being (that terrible laughter
tortured by darkness); out of it all
once again the tentative migration; once again
a universe on the edge of being born:
feet running fearfully out of nothing
at the core of nothing:
colour, light, life, fearfully
becoming eyes and understanding: sound becoming ears . . .
For eternity is not space reaching
on without end to it; not time without end to it,
nor infinity working round in a circle;
but a placeless dot enclosing nothing,
the pre-time pinpoint of impossible beginning,
enclosed by nothing, not even by emptiness —
impossible: so wholly at odds with possibilities
that, always emergent and wrestling and inter-linking,
they shatter it and return to it, are all of it and part of it.
It is your hand stretched out to touch your neighbour's,
and feet running through the dark, directionless like darkness.
Worlds that were spun adrift re-enter
that intolerable centre;
indeed the widest-looping comet
never departed from it;
it alone exists.
And though, opposing it, there persists
the enormous structure of forces, laws,
as background for other coming and going,
that's but a pattern, a phase, no pause,
of ever-being-erected, ever-growing
ideas unphysically alternative
to nothing, which is the quick. You may say hills live,
or life's the imperfect aspect of a flowing
that sorts itself as hills; much as thoughts wind
selectively through mind.
The eggshell collapses
in the fist of the eternal instant;
all is what it was before.
Yet is that eternal instant
the pinpoint bursting into reality,
the possibilities and perhapses,
the feet scurrying on the floor.
It is the suspense also
with which the outward thrust
holds the inward surrender —
the stresses in the shell before it buckles under:
the struggle to magpie-morning and all life's clamour and lust;
the part breaking through the whole;
light and the clear day and so simple a goal.
crossing the black granite; and again
laughter cruelly in pursuit; and then
the twang like a harpstring or the spring of a trap,
and the swerve on the polished surface: the soft little pads
sidling and skidding and avoiding; but soon caught up
in the hand of laughter and put back —
There is no release from the rack
of darkness for the unformed shape,
the unexisting thought
stretched half-and-half
in the shadow of beginning and that denser black
under the imminence of huge pylons —
the deeper nought;
but neither is there anything to escape,
or to laugh,
or to twang that string which is not a string but silence
plucked at the heart of silence.
Nor can there be a floor to the bottomless;
except in so far as conjecture must arrive
lungs cracking, at the depth of its dive;
where downward further is further distress
with no change in it; as if a mile and an inch
are equally squeezed into a pinch,
and retreating limits of cold mind
frozen, smoothed, defined.
Out of the tension of silence (the twanged string);
from the agony of not being (that terrible laughter
tortured by darkness); out of it all
once again the tentative migration; once again
a universe on the edge of being born:
feet running fearfully out of nothing
at the core of nothing:
colour, light, life, fearfully
becoming eyes and understanding: sound becoming ears . . .
For eternity is not space reaching
on without end to it; not time without end to it,
nor infinity working round in a circle;
but a placeless dot enclosing nothing,
the pre-time pinpoint of impossible beginning,
enclosed by nothing, not even by emptiness —
impossible: so wholly at odds with possibilities
that, always emergent and wrestling and inter-linking,
they shatter it and return to it, are all of it and part of it.
It is your hand stretched out to touch your neighbour's,
and feet running through the dark, directionless like darkness.
Worlds that were spun adrift re-enter
that intolerable centre;
indeed the widest-looping comet
never departed from it;
it alone exists.
And though, opposing it, there persists
the enormous structure of forces, laws,
as background for other coming and going,
that's but a pattern, a phase, no pause,
of ever-being-erected, ever-growing
ideas unphysically alternative
to nothing, which is the quick. You may say hills live,
or life's the imperfect aspect of a flowing
that sorts itself as hills; much as thoughts wind
selectively through mind.
The eggshell collapses
in the fist of the eternal instant;
all is what it was before.
Yet is that eternal instant
the pinpoint bursting into reality,
the possibilities and perhapses,
the feet scurrying on the floor.
It is the suspense also
with which the outward thrust
holds the inward surrender —
the stresses in the shell before it buckles under:
the struggle to magpie-morning and all life's clamour and lust;
the part breaking through the whole;
light and the clear day and so simple a goal.
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