Grandmother
Grandmother sits before the fire
Knitting with hands that never tire;
Toiling as though, in sooth, she thought
Mittens and socks could not be bought.
A quaint old dame to me she looks,
Like those one sees in children's books:
With specs on nose, with wrinkled face
Framed neatly in a cap of lace,
From morn till night she's sitting there
Rocking away in her rocking-chair.
Grandmother's room and treasures are
Seen through the door that's half ajar.
We leave it open nights to keep
Her nice and warm while she's asleep.
A ponderous thing her bedstead seems,
Caryen of solid walnut beams;
Children mistake it in the dark
(Or say they do) for Noah's ark:
Upon it rests a feather bed,
With feather pillows at the head.
A wondrous couch! And every whit
Of four feet six to top of it;
To me a marvel long it's been
How gran'ma ever scrambled in.
And in that room she keeps a score
Of books that people read no more.
Of these, I think, she loves the best
That dream of glory, " Baxter's Rest. "
And next — old people are so queer —
She holds dull Martin Tupper dear.
Jane Austen's tales she keeps there, too,
And other authors not a few,
But little suited to these days
Of stilted verse and foreign craze.
But hold, one book she has which I
Must not too hastily pass by:
A quaint edition of God's Word,
Adorned with pictures most absurd.
Let those who open have a care!
Old Clutie hides in ambush there.
His form the front fly-leaf adorns,
Authentic, tricked with hoof and horns.
His garb suggests an ancient sport,
Picked from the last King George's court;
And such you might imagine him,
But for his tail so long and slim,
That makes a loop or two before
Its barbed end rests upon the floor.
'Tis many a year now, I am told,
Since gran'ma read this Bible old.
Not that our modern ways destroy
At all her faith in the " Old Boy, "
But, as she puts it, with a smile,
" The picture's clothes are out of style. "
Speaking of smiles, grandmother's face
Is their continual dwelling-place.
And when the babe, who oft o'erflows
With sayings wiser than she knows,
Cries: " Gran'ma don't look cross nor sad,
And yet she's wrinkled awful bad, "
The dear old soul makes answer mild:
" My wrinkles come from smiling, child. "
Much more, if need were, I could tell
Of this old dame we love so well:
For instance, there's the flower-spot
Each spring returning sees her plot.
She studies o'er it hours and hours,
But always picks the self-same flowers:
Pansies and morning-glories fine,
Sunflowers, like sentries in a line;
A little patch of four-o'clocks;
Some " hens and chickens " in a box.
And you'd be more than touched, I weet,
To hear her sing low — low and sweet:
" I'm Sitting by the Stile, Mary, "
Or oftenest, " My Ain Country. "
But if you'd like to see and know
This queer old lady I love so,
Come to my house. You'll find her there
Rocking away in her rocking-chair.
But don't put off your visit, pray;
She sometimes hints at going away.
Knitting with hands that never tire;
Toiling as though, in sooth, she thought
Mittens and socks could not be bought.
A quaint old dame to me she looks,
Like those one sees in children's books:
With specs on nose, with wrinkled face
Framed neatly in a cap of lace,
From morn till night she's sitting there
Rocking away in her rocking-chair.
Grandmother's room and treasures are
Seen through the door that's half ajar.
We leave it open nights to keep
Her nice and warm while she's asleep.
A ponderous thing her bedstead seems,
Caryen of solid walnut beams;
Children mistake it in the dark
(Or say they do) for Noah's ark:
Upon it rests a feather bed,
With feather pillows at the head.
A wondrous couch! And every whit
Of four feet six to top of it;
To me a marvel long it's been
How gran'ma ever scrambled in.
And in that room she keeps a score
Of books that people read no more.
Of these, I think, she loves the best
That dream of glory, " Baxter's Rest. "
And next — old people are so queer —
She holds dull Martin Tupper dear.
Jane Austen's tales she keeps there, too,
And other authors not a few,
But little suited to these days
Of stilted verse and foreign craze.
But hold, one book she has which I
Must not too hastily pass by:
A quaint edition of God's Word,
Adorned with pictures most absurd.
Let those who open have a care!
Old Clutie hides in ambush there.
His form the front fly-leaf adorns,
Authentic, tricked with hoof and horns.
His garb suggests an ancient sport,
Picked from the last King George's court;
And such you might imagine him,
But for his tail so long and slim,
That makes a loop or two before
Its barbed end rests upon the floor.
'Tis many a year now, I am told,
Since gran'ma read this Bible old.
Not that our modern ways destroy
At all her faith in the " Old Boy, "
But, as she puts it, with a smile,
" The picture's clothes are out of style. "
Speaking of smiles, grandmother's face
Is their continual dwelling-place.
And when the babe, who oft o'erflows
With sayings wiser than she knows,
Cries: " Gran'ma don't look cross nor sad,
And yet she's wrinkled awful bad, "
The dear old soul makes answer mild:
" My wrinkles come from smiling, child. "
Much more, if need were, I could tell
Of this old dame we love so well:
For instance, there's the flower-spot
Each spring returning sees her plot.
She studies o'er it hours and hours,
But always picks the self-same flowers:
Pansies and morning-glories fine,
Sunflowers, like sentries in a line;
A little patch of four-o'clocks;
Some " hens and chickens " in a box.
And you'd be more than touched, I weet,
To hear her sing low — low and sweet:
" I'm Sitting by the Stile, Mary, "
Or oftenest, " My Ain Country. "
But if you'd like to see and know
This queer old lady I love so,
Come to my house. You'll find her there
Rocking away in her rocking-chair.
But don't put off your visit, pray;
She sometimes hints at going away.
Translation:
Language:
Reviews
No reviews yet.