Another armored animal–scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail row! This near artichoke with head and legs and
grit-equipped gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica–
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge–
or bare ear licking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not;–a true ant-eater,

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

(for Llewelyn)

This side of the truth,
You may not see, my son,
King of your blue eyes
In the blinding country of youth,
That all is undone,
Under the unminding skies,
Of innocence and guilt
Before you move to make
One gesture of the heart or head,
Is gathered and spilt
Into the winding dark
Like the dust of the dead.

Good and bad, two ways
Of moving about your death
By the grinding sea,
King of your heart in the blind days,
Blow away like breath,
Go crying through you and me
And the souls of all men

There was a saviour
Rarer than radium,
Commoner than water, crueller than truth;
Children kept from the sun
Assembled at his tongue
To hear the golden note turn in a groove,
Prisoners of wishes locked their eyes
In the jails and studies of his keyless smiles.

The voice of children says
From a lost wilderness
There was calm to be done in his safe unrest,
When hindering man hurt
Man, animal, or bird
We hid our fears in that murdering breath,
Silence, silence to do, when earth grew loud,

A sad tale of the sea, I will unfold,
About Mrs Lingard, that Heroine bold;
Who struggled hard in the midst of the hurricane wild,
To save herself from being drowned, and her darling child.

'Twas on the 8th of September, the Barque "Lynton" sailed for Aspinwall,
And the crew on board, numbered thirteen in all;
And the weather at the time, was really very fine,
On the morning that the ill-fated vessel left the Tyne.

And on the 19th of November, they hove in sight of Aspinwall,
But little did they think there was going to be a squall;

The saris go by me from the embassies.

Cloth from the moon. Cloth from another planet.
They look back at the leopard like the leopard.

And I. . . .
this print of mine, that has kept its color
Alive through so many cleanings; this dull null
Navy I wear to work, and wear from work, and so
To my bed, so to my grave, with no
Complaints, no comment: neither from my chief,
The Deputy Chief Assistant, nor his chief--
Only I complain. . . . this serviceable
Body that no sunlight dyes, no hand suffuses

She looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world

she leans out of the window
and this is what she sees
a wet rose singing to the sun
with a chorus of red bees

she leans out of the window
and laughs for the window is high
she is in it like a bird on a perch
and they scoop the blue sky

she and the window scooping
the morning as if it were air
scooping a green wave of leaves
above a stone stair

Endless lanes sunken in the clay,
Bays, and traverses, fringed with wasted herbage,
Seed-pods of blue scabious, and some lingering blooms;
And the sky, seen as from a well,
Brilliant with frosty stars.
We stumble, cursing, on the slippery duck-boards.
Goaded like the damned by some invisible wrath,
A will stronger than weariness, stronger than animal fear,
Implacable and monotonous.

Here a shaft, slanting, and below
A dusty and flickering light from one feeble candle

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of

So gradual in those summers was the going
of the age it seemed that the long days setting out
when the stars faded over the mountains were not
leaving us even as the birds woke in full song and the dew
glittered in the webs it appeared then that the clear morning
opening into the sky was something of ours
to have and keep and that the brightness we could not touch
and the air we could not hold had come to be there all the time
for us and would never be gone and that the axle
we did not hear was not turning when the ancient car