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Two Portraits

You say, as one who shapes a life,
That you will never be a wife,

And, laughing lightly, ask my aid
To paint your future as a maid.

This is the portrait; and I take
The softest colors for your sake:

The springtime of your soul is dead,
And forty years have bent your head;

The lines are firmer round your mouth,
But still its smile is like the South.

Your eyes, grown deeper, are not sad,
Yet never more than gravely glad;

And the old charm still lurks within
The cloven dimple of your chin.

Two Poems from the War

Oh, not the loss of the accomplished thing!
Not dumb farewells, nor long relinquishment
Of beauty had, and golden summer spent,
And savage glory of the fluttering
Torn banners of the rain, and frosty ring
Of moon-white winters, and the imminent
Long-lunging seas, and glowing students bent
To race on some smooth beach the gull's wing:

Not these, nor all we've been, nor all we've loved,
The pitiful familiar names, had moved
Our hearts to weep for them; but oh, the star
The future is! Eternity's too wan

Try To Remember Some Details

Try to remember some details. Remember the clothing
of the one you love
so that on the day of loss you'll be able to say: last seen
wearing such-and-such, brown jacket, white hat.
Try to remember some details. For they have no face
and their soul is hidden and their crying
is the same as their laughter,
and their silence and their shouting rise to one height
and their body temperature is between 98 and 104 degrees
and they have no life outside this narrow space
and they have no graven image, no likeness, no memory

Trilogy Of Passion 03 Atonement

Passion brings reason--who can pacify

An anguish'd heart whose loss hath been so great?
Where are the hours that fled so swiftly by?

In vain the fairest thou didst gain from fate;
Sad is the soul, confused the enterprise;

The glorious world, how on the sense it dies!

In million tones entwined for evermore,

Music with angel-pinions hovers there,
To pierce man's being to its inmost core,

Eternal beauty has its fruit to bear;
The eye grows moist, in yearnings blest reveres
The godlike worth of music as of tears.

Trilogy Of Passion 01 To Werther

Once more, then, much-wept shadow, thou dost dare

Boldly to face the day's clear light,
To meet me on fresh blooming meadows fair,

And dost not tremble at my sight.
Those happy times appear return'd once more.

When on one field we quaff'd refreshing dew,
And, when the day's unwelcome toils were o'er,

The farewell sunbeams bless'd our ravish'd view;
Fate bade thee go,--to linger here was mine,--
Going the first, the smaller loss was thine.

The life of man appears a glorious fate:
The day how lovely, and the night how great!

Trial by Jury

DRAMATIS PERSONAE

THE LEARNED JUDGE
THE PLAINTIFF
THE DEFENDANT
COUNSEL FOR THE PLAINTIFF
USHER
FOREMAN OF THE JURY
ASSOCIATE
FIRST BRIDESMAID


SCENE - A Court of Justice, Barristers, Attorney, and Jurymen
discovered.

CHORUS

Hark, the hour of ten is sounding:
Hearts with anxious fears are bounding,
Hall of Justice, crowds surrounding,
Breathing hope and fear--
For to-day in this arena,

Transfiguration

Mysterious death! who in a single hour
Life's gold can so refine
And by thy art divine
Change mortal weakness to immortal power!

Bending beneath the weight of eighty years
Spent with the noble strife
of a victorious life
We watched her fading heavenward, through our tears.

But ere the sense of loss our hearts had wrung
A miracle was wrought;
And swift as happy thought
She lived again -- brave, beautiful, and young.

Age, pain, and sorrow dropped the veils they wore
And showed the tender eyes

To Wordsworth

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star, whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honoured poverty thy voice did weave
Songs consecrate to truth and liberty,--

To This Moment a Rebel

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.

When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?

Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,

To This Moment a Rebel

I

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
II
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
III
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,