Come slowly,
Eden
Lips unused to thee.
Bashful, sip thy jasmines,
As the fainting bee,
Reaching late his flower,
Round her chamber hums,
Counts his nectars -alights,
And is lost in balms!
I
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
II
Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that it
Must be even more like Los Angeles.
Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great leaps of fruit, which nonetheless
Power corrupts,
whereas sound opposition
builds up our free
democratic tradition.
One thing would make
a democracy flower:
having a strong opposition-
in power.
I KNOW not of what we ponder’d
Or made pretty pretence to talk,
As, her hand within mine, we wander’d
Tow’rd the pool by the lime-tree walk,
While the dew fell in showers from the passion flowers
And the blush-rose bent on her stalk.
I cannot recall her figure:
Was it regal as Juno’s own?
Or only a trifle bigger
Than the elves who surround the throne
Of the Faëry Queen, and are seen, I ween,
By mortals in dreams alone?
What her eyes were like I know not:
What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.
Little sister, come away,
And let us in the garden play,
For it is a pleasant day.
On the grass-plat let us sit,
Or, if you please, we'll play a bit,
And run about all over it.
But the fruit we will not pick,
For that would be a naughty trick,
And very likely make us sick.
Nor will we pluck the pretty flowers
That grow about the beds and bowers,
Because you know they are not ours.
We'll take the daisies, white and red,
Because mamma has often said
Chorus. Come praise Colonus' horses, and come praise
The wine-dark of the wood's intricacies,
The nightingale that deafens daylight there,
If daylight ever visit where,
Unvisited by tempest or by sun,
Immortal ladies tread the ground
Dizzy with harmonious sound,
Semele's lad a gay companion.
And yonder in the gymnasts' garden thrives
The self-sown, self-begotten shape that gives
Athenian intellect its mastery,
Even the grey-leaved olive-tree
Miracle-bred out of the living stone;
Nor accident of peace nor war
Cities and Thrones and Powers,
Stand in Time's eye,
Almost as long as flowers,
Which daily die:
But, as new buds put forth
To glad new men,
Out of the spent and unconsidered Earth,
The Cities rise again.
This season's Daffodil,
She never hears,
What change, what chance, what chill,
Cut down last year's;
But with bold countenance,
And knowledge small,
Esteems her seven days' continuance,
To be perpetual.
So Time that is o'er -kind,
To all that be,
In the cowslip pips I lie,
Hidden from the buzzing fly,
While green grass beneath me lies,
Pearled with dew like fishes' eyes,
Here I lie, a clock-o'-clay,
Waiting for the time o' day.
While the forest quakes surprise,
And the wild wind sobs and sighs,
My home rocks as like to fall,
On its pillar green and tall;
When the pattering rain drives by
Clock-o'-clay keeps warm and dry.
Day by day and night by night,
All the week I hide from sight;
In the cowslip pips I lie,
