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From Poem Beginning " The "
Dedication
Because I have had occasion to remember, quote, paraphrase, I dedicate this poem to Anyone and Anything I have unjustifiably forgotten. Also to J. S. Bach — 309, Bede's Ecclesiastical History — 248, 291, Max Beerbohm — 245, Beethoven's Ninth Symphony — 310ÔÇô312, Broadway — 134, Geoffrey Chaucer — 1st Movement, Title, College Cheer — 45, E. E. Cummings' Is Five — 38, Dante — 66, Norman Douglas' South Wind — 14, Elijah, the Prophet — 24, T. S. Eliot's The Waste Land and The Sacred Wood — 25ÔÇô27, John Erskine — 184, 185, Heinrich Heine — 266, 267, 269, 316, Robert Herrick — 187, 188, Horace — 141, Horses — 224ÔÇô237, Aldous Huxley's Those Barren Leaves — 12, 18, Henry James — 2nd Movement, Title, Jewish Folk Song — 191, 270ÔÇô280, James Joyce — 13, 20, 28, 29, D. H. Lawrence — 8, 19, 133, Christopher Marlowe's Edward II — 46, 47, Modern Advertising — 163, George Moore — 24, Marianne Moore — 22, Mussolini — 74, 75, Myself — 130, 142, 167, 309, Obvious — Where the Reference is Obvious, Walter Pater's Renaissance — 165, Peer Gynt — 281ÔÇô285, Poe's Helen — 168ÔÇô182, Popular Non-Sacred Song — 4, 5, 36, 37, 288, 289, Ezra Pound — 15, 18, Power of the Past, Present, and Future — Where the reference is to the word Sun, E. A. Robinson's Children of the Night — 132, Sophocles — 6, Oswald Spengler — 132, Max Stirner — 199ÔÇô202, Symbol of our Relatively Most permanent Self, Origin and Destiny — Wherever the reference is to the word Mother, The Bible — 1ÔÇô3, 9, 313, 314, The Bolsheviki — 203, 323, The French Language — 31, 33, 51, 292, The King's English — 166, The Merchant of Venice — 250ÔÇô265, The Yellow Menace — 241ÔÇô242, University Extension — 70, Villon — 21, Franz Werfel — 68, Virginia Woolf's Mrs. Dalloway — 52, Yehoash — 110ÔÇô129, 205ÔÇô223, 318ÔÇô330.
Dedication
Because I have had occasion to remember, quote, paraphrase, I dedicate this poem to Anyone and Anything I have unjustifiably forgotten. Also to J. S. Bach — 309, Bede's Ecclesiastical History — 248, 291, Max Beerbohm — 245, Beethoven's Ninth Symphony — 310ÔÇô312, Broadway — 134, Geoffrey Chaucer — 1st Movement, Title, College Cheer — 45, E. E. Cummings' Is Five — 38, Dante — 66, Norman Douglas' South Wind — 14, Elijah, the Prophet — 24, T. S. Eliot's The Waste Land and The Sacred Wood — 25ÔÇô27, John Erskine — 184, 185, Heinrich Heine — 266, 267, 269, 316, Robert Herrick — 187, 188, Horace — 141, Horses — 224ÔÇô237, Aldous Huxley's Those Barren Leaves — 12, 18, Henry James — 2nd Movement, Title, Jewish Folk Song — 191, 270ÔÇô280, James Joyce — 13, 20, 28, 29, D. H. Lawrence — 8, 19, 133, Christopher Marlowe's Edward II — 46, 47, Modern Advertising — 163, George Moore — 24, Marianne Moore — 22, Mussolini — 74, 75, Myself — 130, 142, 167, 309, Obvious — Where the Reference is Obvious, Walter Pater's Renaissance — 165, Peer Gynt — 281ÔÇô285, Poe's Helen — 168ÔÇô182, Popular Non-Sacred Song — 4, 5, 36, 37, 288, 289, Ezra Pound — 15, 18, Power of the Past, Present, and Future — Where the reference is to the word Sun, E. A. Robinson's Children of the Night — 132, Sophocles — 6, Oswald Spengler — 132, Max Stirner — 199ÔÇô202, Symbol of our Relatively Most permanent Self, Origin and Destiny — Wherever the reference is to the word Mother, The Bible — 1ÔÇô3, 9, 313, 314, The Bolsheviki — 203, 323, The French Language — 31, 33, 51, 292, The King's English — 166, The Merchant of Venice — 250ÔÇô265, The Yellow Menace — 241ÔÇô242, University Extension — 70, Villon — 21, Franz Werfel — 68, Virginia Woolf's Mrs. Dalloway — 52, Yehoash — 110ÔÇô129, 205ÔÇô223, 318ÔÇô330.
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