Beaver Brook
. . . " Don't you like the poem [ Beaver Brook ] I sent you last week? I was inclined to think pretty well of it, but I have not seen it in print yet. The little mill stands in a valley between one of the spurs of Wellington Hill and the main summit, just on the edge of Waltham. It is surely one of the loveliest spots in the world. It is one of my lions, and if you will make me a visit this spring I will take you up to hear it roar, and I will show you " the oaks" — the largest, I fancy, left in the country. " Letters I. 149. The poem was sent to Mr. Gay for the Standard . These oaks are now known as the Waverley Oaks, and are to be preserved.
Hushed with broad sunlight lies the hill,
And, minuting the long day's loss,
The cedar's shadow, slow and still,
Creeps o'er its dial of gray moss.
Warm noon brims full the valley's cup,
The aspen's leaves are scarce astir;
Only the little mill sends up
Its busy, never-ceasing burr.
Climbing the loose-piled wall that hems
The road along the mill-pond's brink,
From 'neath the arching barberry-stems,
My footstep scares the shy chewink.
Beneath a bony buttonwood
The mill's red door lets forth the din;
The whitened miller, dust-imbued,
Flits past the square of dark within.
No mountain torrent's strength is here;
Sweet Beaver, child of forest still,
Heaps its small pitcher to the ear,
And gently waits the miller's will.
Swift slips Undine along the race
Unheard, and then, with flashing bound,
Floods the dull wheel with light and grace,
And, laughing, hunts the loath drudge round.
The miller dreams not at what cost
The quivering millstones hum and whirl,
Nor how for every turn are tost
Armfuls of diamond and of pearl.
But Summer cleared my happier eyes
With drops of some celestial juice,
To see how Beauty underlies
Forevermore each form of use.
And more; methought I saw that flood,
Which now so dull and darkling steals,
Thick, here and there, with human blood,
To turn the world's laborious wheels.
No more than doth the miller there,
Shut in our several cells, do we
Know with what waste of beauty rare
Moves every day's machinery.
Surely the wiser time shall come
When this fine overplus of might,
No longer sullen, slow, and dumb,
Shall leap to music and to light.
In that new childhood of the Earth
Life of itself shall dance and play,
Fresh blood in Time's shrunk veins make mirth,
And labor meet delight half-way.
. . . " Don't you like the poem [ Beaver Brook ] I sent you last week? I was inclined to think pretty well of it, but I have not seen it in print yet. The little mill stands in a valley between one of the spurs of Wellington Hill and the main summit, just on the edge of Waltham. It is surely one of the loveliest spots in the world. It is one of my lions, and if you will make me a visit this spring I will take you up to hear it roar, and I will show you " the oaks" — the largest, I fancy, left in the country. " Letters I. 149. The poem was sent to Mr. Gay for the Standard . These oaks are now known as the Waverley Oaks, and are to be preserved.
Hushed with broad sunlight lies the hill,
And, minuting the long day's loss,
The cedar's shadow, slow and still,
Creeps o'er its dial of gray moss.
Warm noon brims full the valley's cup,
The aspen's leaves are scarce astir;
Only the little mill sends up
Its busy, never-ceasing burr.
Climbing the loose-piled wall that hems
The road along the mill-pond's brink,
From 'neath the arching barberry-stems,
My footstep scares the shy chewink.
Beneath a bony buttonwood
The mill's red door lets forth the din;
The whitened miller, dust-imbued,
Flits past the square of dark within.
No mountain torrent's strength is here;
Sweet Beaver, child of forest still,
Heaps its small pitcher to the ear,
And gently waits the miller's will.
Swift slips Undine along the race
Unheard, and then, with flashing bound,
Floods the dull wheel with light and grace,
And, laughing, hunts the loath drudge round.
The miller dreams not at what cost
The quivering millstones hum and whirl,
Nor how for every turn are tost
Armfuls of diamond and of pearl.
But Summer cleared my happier eyes
With drops of some celestial juice,
To see how Beauty underlies
Forevermore each form of use.
And more; methought I saw that flood,
Which now so dull and darkling steals,
Thick, here and there, with human blood,
To turn the world's laborious wheels.
No more than doth the miller there,
Shut in our several cells, do we
Know with what waste of beauty rare
Moves every day's machinery.
Surely the wiser time shall come
When this fine overplus of might,
No longer sullen, slow, and dumb,
Shall leap to music and to light.
In that new childhood of the Earth
Life of itself shall dance and play,
Fresh blood in Time's shrunk veins make mirth,
And labor meet delight half-way.
Hushed with broad sunlight lies the hill,
And, minuting the long day's loss,
The cedar's shadow, slow and still,
Creeps o'er its dial of gray moss.
Warm noon brims full the valley's cup,
The aspen's leaves are scarce astir;
Only the little mill sends up
Its busy, never-ceasing burr.
Climbing the loose-piled wall that hems
The road along the mill-pond's brink,
From 'neath the arching barberry-stems,
My footstep scares the shy chewink.
Beneath a bony buttonwood
The mill's red door lets forth the din;
The whitened miller, dust-imbued,
Flits past the square of dark within.
No mountain torrent's strength is here;
Sweet Beaver, child of forest still,
Heaps its small pitcher to the ear,
And gently waits the miller's will.
Swift slips Undine along the race
Unheard, and then, with flashing bound,
Floods the dull wheel with light and grace,
And, laughing, hunts the loath drudge round.
The miller dreams not at what cost
The quivering millstones hum and whirl,
Nor how for every turn are tost
Armfuls of diamond and of pearl.
But Summer cleared my happier eyes
With drops of some celestial juice,
To see how Beauty underlies
Forevermore each form of use.
And more; methought I saw that flood,
Which now so dull and darkling steals,
Thick, here and there, with human blood,
To turn the world's laborious wheels.
No more than doth the miller there,
Shut in our several cells, do we
Know with what waste of beauty rare
Moves every day's machinery.
Surely the wiser time shall come
When this fine overplus of might,
No longer sullen, slow, and dumb,
Shall leap to music and to light.
In that new childhood of the Earth
Life of itself shall dance and play,
Fresh blood in Time's shrunk veins make mirth,
And labor meet delight half-way.
. . . " Don't you like the poem [ Beaver Brook ] I sent you last week? I was inclined to think pretty well of it, but I have not seen it in print yet. The little mill stands in a valley between one of the spurs of Wellington Hill and the main summit, just on the edge of Waltham. It is surely one of the loveliest spots in the world. It is one of my lions, and if you will make me a visit this spring I will take you up to hear it roar, and I will show you " the oaks" — the largest, I fancy, left in the country. " Letters I. 149. The poem was sent to Mr. Gay for the Standard . These oaks are now known as the Waverley Oaks, and are to be preserved.
Hushed with broad sunlight lies the hill,
And, minuting the long day's loss,
The cedar's shadow, slow and still,
Creeps o'er its dial of gray moss.
Warm noon brims full the valley's cup,
The aspen's leaves are scarce astir;
Only the little mill sends up
Its busy, never-ceasing burr.
Climbing the loose-piled wall that hems
The road along the mill-pond's brink,
From 'neath the arching barberry-stems,
My footstep scares the shy chewink.
Beneath a bony buttonwood
The mill's red door lets forth the din;
The whitened miller, dust-imbued,
Flits past the square of dark within.
No mountain torrent's strength is here;
Sweet Beaver, child of forest still,
Heaps its small pitcher to the ear,
And gently waits the miller's will.
Swift slips Undine along the race
Unheard, and then, with flashing bound,
Floods the dull wheel with light and grace,
And, laughing, hunts the loath drudge round.
The miller dreams not at what cost
The quivering millstones hum and whirl,
Nor how for every turn are tost
Armfuls of diamond and of pearl.
But Summer cleared my happier eyes
With drops of some celestial juice,
To see how Beauty underlies
Forevermore each form of use.
And more; methought I saw that flood,
Which now so dull and darkling steals,
Thick, here and there, with human blood,
To turn the world's laborious wheels.
No more than doth the miller there,
Shut in our several cells, do we
Know with what waste of beauty rare
Moves every day's machinery.
Surely the wiser time shall come
When this fine overplus of might,
No longer sullen, slow, and dumb,
Shall leap to music and to light.
In that new childhood of the Earth
Life of itself shall dance and play,
Fresh blood in Time's shrunk veins make mirth,
And labor meet delight half-way.
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