The Masseuse
Very strong and flexile
Are the fingers of Miss Celia,
The shadowy, lean old-maid
Who brushes my hair,
Or rubs out the tired wrinkles about my eyes.
I see her in the mirror,
Working in creaseless white,
Bending above me with eager deftness,
An exact and skillful zeal,
So tender in its assurance
That I think of her as a sweet, gray nun
Toiling strangely for the flesh,
Of which she knows nothing.
Yet at times, when her fingers sink
Into the living tendrils of hair,
Gold, bronze, or black,
Of a young girl with half-closed eyes
And heavy lips,
There comes into Miss Celia's face
A strange concealed glow,
A sort of brooding half passion,
As if her hands were absorbing
Some of the thoughts
Passing through the brain
Half asleep beneath her fingers.
Are the fingers of Miss Celia,
The shadowy, lean old-maid
Who brushes my hair,
Or rubs out the tired wrinkles about my eyes.
I see her in the mirror,
Working in creaseless white,
Bending above me with eager deftness,
An exact and skillful zeal,
So tender in its assurance
That I think of her as a sweet, gray nun
Toiling strangely for the flesh,
Of which she knows nothing.
Yet at times, when her fingers sink
Into the living tendrils of hair,
Gold, bronze, or black,
Of a young girl with half-closed eyes
And heavy lips,
There comes into Miss Celia's face
A strange concealed glow,
A sort of brooding half passion,
As if her hands were absorbing
Some of the thoughts
Passing through the brain
Half asleep beneath her fingers.
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