alone

'Twas Christmastide in Germany,
And in the year of 1850,
And in the city of Berlin, which is most beautiful to the eye;
A poor boy was heard calling out to passers-by.
"Who'll buy my pretty figures," loudly he did cry,
Plaster of Paris figures, but no one inclined to buy;
His clothes were thin and he was nearly frozen with cold,
And wholly starving with hunger, a pitiful sight to behold.

And the twilight was giving place to the shadows of approaching night,
And those who possessed a home were seeking its warmth and light;

She stands as pale as Parian statues stand;
Like Cleopatra when she turned at bay,
And felt her strength above the Roman sway,
And felt the aspic writhing in her hand.
Her face is steadfast toward the shadowy land,
For dim beyond it looms the light of day;
Her feet are steadfast; all the arduous way
That foot-track hath not wavered on the sand.
She stands there like a beacon thro' the night,
A pale clear beacon where the storm-drift is;
She stands alone, a wonder deathly white;

Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,

A song of Enchantment I sang me there,
In a green-green wood, by waters fair,
Just as the words came up to me
I sang it under the wild wood tree.

Widdershins turned I, singing it low,
Watching the wild birds come and go;
No cloud in the deep dark blue to be seen
Under the thick-thatched branches green.

Twilight came: silence came:
The planet of Evening's silver flame;
By darkening paths I wandered through
Thickets trembling with drops of dew.

But the music is lost and the words are gone

O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.

Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.

Rome never looks where she treads.
Always her heavy hooves fall
On our stomachs, our hearts or our heads;
And Rome never heeds when we bawl.
Her sentries pass on--that is all,
And we gather behind them in hordes,
And plot to reconquer the Wall,
With only our tongues for our swords.

We are the Little Folk--we!
Too little to love or to hate.
Leave us alone and you'll see
How we can drag down the State!
We are the worm in the wood!
We are the rot at the root!
We are the taint in the blood!

A narrow girdle of rough stones and crags,
A rude and natural causeway, interposed
Between the water and a winding slope
Of copse and thicket, leaves the eastern shore
Of Grasmere safe in its own privacy:
And there myself and two beloved Friends,
One calm September morning, ere the mist
Had altogether yielded to the sun,
Sauntered on this retired and difficult way.
----Ill suits the road with one in haste; but we
Played with our time; and, as we strolled along,
It was our occupation to observe

702

A first Mute Coming—
In the Stranger's House—
A first fair Going—
When the Bells rejoice—

A first Exchange—of
What hath mingled—been—
For Lot—exhibited to
Faith—alone—

Her tears are spent, but no dreams come.
She can hear the others singing through the night.
She has lost his love. Alone with her beauty,
She leans till dawn on her incense-pillow.

Two men came out of Shannon's, having known
The faces of each other for so long
As they had listened there to an old song,
Sung thinly in a wastrel monotone
By some unhappy night-bird, who had flown
Too many times and with a wing too strong
To save himself; and so done heavy wrong
To more frail elements than his alone.

Slowly away they went, leaving behind
More light than was before them. Neither met
The other's eyes again or said a word.
Each to his loneliness or to his kind,