alone

Turn from that road's beguiling ease; return
to your hunger's turret. Enter, climb the stair
chill with disuse, where the croaking toad of time
regards from shimmering eyes your slow ascent
and the drip, drip, of darkness glimmers on the stone
to show you how your longing waits alone.
What alchemy shines from under that shut door,
spinning out gold from the hollow of the heart?

Enter the turret of your love, and lie
close in the arms of the sea; let in new suns
that beat and echo in the mind like sounds

With eyes that searched in the dark,
Peering along the line,
Stood the grim Scotsman, Hector Clark,
Driver of "Forty-nine".
And the veldt-fire flamed on the hills ahead,
Like a blood-red beacon sign.

There was word of a fight to the north,
And a column too hardly pressed,
So they started the Highlanders forth.
Heedless of food or rest.

But the pipers gaily played,
Chanting their fierce delight,
And the armoured carriages rocked and swayed.
Laden with men of the Scots Brigade,

Auditæ voces, vagitus et ingens,Infantunque animæ flentes in limine primo. Virg.ADVERTISEMENT
What particulars in Spenser were imagined most proper for the author's imitationon this occasion, are his language, his simplicity, his manner of description,and a peculiar tenderness of sentiment remarkable throughout his works.
Ah me! full sorely is my heart forlorn,
To think how modest worth neglected lies;
While partial fame doth with her blasts adorn
Such deeds alone, as pride and pomp disguise;

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

A ROSE, as fair as ever saw the North,
Grew in a little garden all alone;
A sweeter flower did Nature ne'er put forth,
Nor fairer garden yet was never known:
The maidens danced about it morn and noon,
And learned bards of it their ditties made;
The nimble fairies by the pale-faced moon
Water'd the root and kiss'd her pretty shade.
But well-a-day!--the gardener careless grew;
The maids and fairies both were kept away,
And in a drought the caterpillars threw
Themselves upon the bud and every spray.

Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
For the leaf came
Alone and shining in the empty room;

The fields of youth are filled with flowers,
The wine of youth is strong:
What need have we to count the hours?
The summer days are long.
But soon we find to our dismay
That we are drifting down
The barren slopes that fall away
Towards the foothills grim and grey
That lead to Old Man's Town.

And marching with us on the track
Full many friends we find:
We see them looking sadly back
For those who've dropped behind

But God forfend a fate so dread --
Alone to travel down

And they shook their sweetness out in their sleep
On the brink of that beautiful stream,
But it wandered along with a wearisome song
Like a lover that walks in a dream:
So the roses blew
When the winds went through,
In the moonlight so white and still;
But the river it beat
All night at the feet
Of a cold and flinty hill -
Of a hard and senseless hill!

I said, "We have often showered our loves
Upon something as dry as the dust;
And the faith that is crost, and the hearts that are lost -

NO city I to Rheims would e'er prefer:
Of France the pride and honour I aver;
The Holy Ampoule and delicious wine,
Which ev'ry one regards as most divine,
We'll set apart, and other objects take:
The beauties round a paradise might make!
I mean not tow'rs nor churches, gates, nor streets;
But charming belles with soft enchanting sweets:
Such oft among the fair Rhemese we view:
Kings might be proud those graces to pursue.

ONE 'mong these belles had to the altar led,
A painter, much esteemed, and who had bread.

DR. BELVILLE was regarded as the CRICHTON of his age:
His tragedies were reckoned much too thoughtful for the stage;
His poems held a noble rank, although it's very true
That, being very proper, they were read by very few.
He was a famous Painter, too, and shone upon the "line,"
And even MR. RUSKIN came and worshipped at his shrine;
But, alas, the school he followed was heroically high -
The kind of Art men rave about, but very seldom buy;
And everybody said
"How can he be repaid -