On Reading Shakepeare's Sonnets

THY verse is like a cool and shady well
Lying a-dream within some moss-walled close
Far from the common way, where violets doze
In green-deep grass beside the sweet hare-bell.

And each wayfarer as he stoopeth there
Doth spy a face that is most like his own,
So weary and—ah me!—so woe-begone
That almost he forgetteth his deep care.

There is a royal restraint in thy sad rhyme,
Dis-calmèd calm, and passion passionless,
And mellowed is all taint of bitterness


On Raglan Road

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.


On Fields O'er Which the Reaper's Hand Has Pass'd

On fields o'er which the reaper's hand has pass'd
Lit by the harvest moon and autumn sun,
My thoughts like stubble floating in the wind
And of such fineness as October airs,
There after harvest could I glean my life
A richer harvest reaping without toil,
And weaving gorgeous fancies at my will
In subtler webs than finest summer haze.


On Australian Hills

Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.


Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,


Old And Young

LONG ago, on a bright spring day,
I passed a little child at play;
And as I passed, in childish glee
She called to me, “Come and play with me!”

But my eyes were fixed on a far-off height
I was fain to climb before the night;
So, half-impatient, I answered, “Nay!
I am too old, too old to play.”

Long, long after, in Autumn time—
My limbs were grown too old to climb—
I passed a child on a pleasant lea,
And I called to her, “Come and play with me!”


Ode to the West Wind

I

O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill


O were my Love yon Lilac fair

O were my Love yon lilac fair,
   Wi' purple blossoms to the spring,
And I a bird to shelter there,
   When wearied on my little wing;
How I wad mourn when it was torn
   By autumn wild and winter rude!
But I wad sing on wanton wing
   When youthfu' May its bloom renew'd.

O gin my Love were yon red rose
   That grows upon the castle wa',
And I mysel a drap o' dew,
   Into her bonnie breast to fa';
O there, beyond expression blest,
   I'd feast on beauty a' the night;
Seal'd on her silk-saft faulds to rest,


Ode To Wine

Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,


Ode To Modern Art

Come on in and stay a while
I'll photograph you emerging from the revolving door
like Frank O'Hara dating the muse of modern art
Talking about the big Pollock show is better
than going to it on a dismal Saturday afternoon
when my luncheon partner is either the author or the subject
of The Education of Henry Adams at a hard-to-get-
a-table-at restaurant on Cornelia Street
just what is chaos theory anyway
I'm not sure but it helps explain "Autumn Rhythm"
the closest thing to chaos without crossing the border


Ode to Fancy

O parent of each lovely Muse,
Thy spirit o'er my soul diffuse,
O'er all my artless songs preside,
My footsteps to thy temple guide.
To offer at thy turf-built shrine,
In golden cups no costly wine,
No murder'd fatling of the flock,
But flowers and honey from the rock.
O Nymph with loosely-flowing hair,
With buskin'd leg, and bosom bare,
Thy waist with myrtle-girdle bound,
Thy brows with Indian feathers crown'd,
Waving in thy snowy hand
An all-commanding magic wand,
Of pow'r to bid fresh gardens blow,


Pages

Subscribe to RSS - autumn