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Sonnet 60 Like as the waves make towards the pebbled shore

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity once in the main of light,
Crawls to maturity, wherewith being crowned,
Crookèd eclipses 'gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty's brow,
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow.

Sonnet 6 Then let not winter's ragged hand deface

Then let not winter's ragged hand deface
In thee thy summer ere thou be distilled.
Make sweet some vial; treasure thou some place
With beauty's treasure ere it be self-killed.
That use is not forbidden usury
Which happies those that pay the willing loan;
That's for thyself to breed another thee,
Or ten times happier, be it ten for one,
Ten times thy self were happier than thou art,
If ten of thine ten times refigured thee;
Then what could death do, if thou shouldst depart,
Leaving thee living in posterity?

Sonnet 54 O, how much more doth beauty beauteous seem

O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker blooms have full as deep a dye
As the perfumèd tincture of the roses,
Hang on such thorns, and play as wantonly
When summer's breath their maskèd buds discloses;
But, for their virtue only is their show,
They live unwooed and unrespected fade,
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made.

Sonnet 53 What is your substance, whereof are you made

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring, and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessèd shape we know.
In all external grace you have some part,

Sonnet 5 Those hours, that with gentle work did frame

Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting Time leads summer on
To hideous winter and confounds him there,
Sap checked with frost and lusty leaves quite gone,
Beauty o'ersnowed and bareness everywhere.
Then, were not summer's distillation left
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it nor no remembrance what it was.

Sonnet 41 Those pretty wrongs that liberty commits

Those pretty wrongs that liberty commits
When I am sometime absent from thy heart,
Thy beauty and thy years full well befits,
For still temptation follows where thou art.
Gentle thou art, and therefore to be won;
Beauteous thou art, therefore to be assailed;
And when a woman woos, what woman's son
Will sourly leave her till he have prevailed?
Ay me, but yet thou mightst my seat forbear,
And chide thy beauty and thy straying youth,
Who lead thee in their riot even there
Where thou art forced to break a twofold truth:

Sonnet 4 Unthrifty loveliness, why dost thou spend

Unthrifty loveliness, why dost thou spend
Upon thy self thy beauty's legacy?
Nature's bequest gives nothing, but doth lend,
And being frank she lends to those are free.
Then, beauteous niggard why dost thou abuse,
The bounteous largess given thee to give?
Profitless usurer, why dost thou use
So great a sum of sums yet canst not live?
For having traffic with thyself alone,
Thou of thyself thy sweet self dost deceive.
Then how when nature calls thee to be gone,
What acceptable audit canst thou leave?

Sonnet 37 As a decrepit father takes delight

As a decrepit father takes delight
To see his active child do deeds of youth,
So I, made lame by Fortune's dearest spite,
Take all my comfort of thy worth and truth.
For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts, do crownèd sit,
I make my love engrafted to this store.
So then I am not lame, poor, nor despised,
Whilst that this shadow doth such substance give
That I in thy abundance am sufficed
And by a part of all thy glory live.
Look what is best, that best I wish in thee.

Sonnet 24 Mine eye hath played the painter and hath stelled

Mine eye hath played the painter and hath stelled
Thy beauty's form in table of my heart;
My body is the frame wherein 'tis held,
And perspective it is best painter's art.
For through the painter must you see his skill
To find where your true image pictured lies,
Which in my bosom's shop is hanging still,
That hath his windows glazèd with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, where-through the sun
Delights to peep, to gaze therein on thee.

Sonnet 22 My glass shall not persuade me I am old

My glass shall not persuade me I am old
So long as youth and thou are of one date;
But when in thee Time's furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me.
How can I then be elder than thou art?
O, therefore, love, be of thyself so wary
As I not for myself, but for thee will,
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.