Silentium

She has not yet been born:
she is music and word,
and therefore the untorn,
fabric of what is stirred.

Silent the ocean breathes.
Madly day’s glitter roams.
Spray of pale lilac foams,
in a bowl of grey-blue leaves.

May my lips rehearse
the primordial silence,
like a note of crystal clearness,


Sight

Unseemly are the open eyes
That watch the midnight sheep,
That look upon the secret skies
Nor close, abashed, in sleep;

That see the dawn drag in, unbidden,
To birth another day-
Oh, better far their gaze were hidden
Below the decent clay.


She said

She said I should be patient
I would succeed in what I like doing
And I am saying
I am already starting to flourish
I am starting to rise from
A mental oppression invisible but real
To excel and date my dreams…

She said that I should be patient
I would succeed in what I like doing
And I am saying
I am already starting to flourish
I am starting to rise from
A mental warfare every single day
To stopped me creating my own reality

She said that I should be patient


September, 1819

. Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely carolling.
No faint and hesitating trill,
Such tribute as to winter chill
The lonely redbreast pays!
Clear, loud, and lively is the din,
From social warblers gathering in
Their harvest of sweet lays.

Nor doth the example fail to cheer
Me, conscious that my leaf is sere,
And yellow on the bough:-


Septuagesima Sunday

There is a book, who runs may read,
Which heavenly truth imparts,
And all the lore its scholars need,
Pure eyes and Christian hearts.

The works of God above, below,
Within us and around,
Are pages in that book, to show
How God Himself is found.

The glorious sky embracing all
Is like the Maker's love,
Wherewith encompassed, great and small
In peace and order move.

The Moon above, the Church below,
A wondrous race they run,
But all their radiance, all their glow,


Second Sunday After Trinity

The clouds that wrap the setting sun
When Autumn's softest gleams are ending,
Where all bright hues together run
In sweet confusion blending: -
Why, as we watch their floating wreath
Seem they the breath of life to breathe?
To Fancy's eye their motions prove
They mantle round the Sun for love.

When up some woodland dale we catch
The many-twinkling smile of ocean,
Or with pleased ear bewildered watch
His chime of restless motion;
Still as the surging waves retire


Scum o' the Earth

I

At the gate of the West I stand,
On the isle where the nations throng.
We call them "scum o' the earth";

Stay, are we doing you wrong,
Young fellow from Socrates' land? --
You, like a Hermes so lissome and strong
Fresh from the Master Praxiteles' hand?
So you're of Spartan birth?
Descended, perhaps, from one of the band --
Deathless in story and song --
Who combed their long hair at Thermopylae's pass?
Ah, I forget the straits, alas!
More tragic than theirs, more compassion-worth,


Samson

Samson, the strongest of the children of men, I sing; how he was foiled by woman's arts, by a false wife brought to the gates of death! O Truth! that shinest with propitious beams, turning our earthly night to heavenly day, from presence of the Almighty Father, thou visitest our darkling world with blessed feet, bringing good news of Sin and Death destroyed! O whiterobed Angel, guide my timorous hand to write as on a lofty rock with iron pen the words of truth, that all who pass may read.


Sappho - A Monodrama

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.


Samson Agonistes excerpts

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,


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