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Conrad Siever

Not in that wasted garden
Where bodies are drawn into grass
That feeds no flocks, and into evergreens
That bear no fruit --
There where along the shaded walks
Vain sighs are heard,
And vainer dreams are dreamed
Of close communion with departed souls --
But here under the apple tree
I loved and watched and pruned
With gnarled hands
In the long, long years;
Here under the roots of this northern-spy
To move in the chemic change and circle of life,
Into the soil and into the flesh of the tree,
And into the living epitaphs

Compensation

In that new world toward which our feet are set,
Shall we find aught to make our hearts forget
Earth's homely joys and her bright hours of bliss?
Has heaven a spell divine enough for this?
For who the pleasure of the spring shall tell
When on the leafless stalk the brown buds swell,
When the grass brightens and the days grow long,
And little birds break out in rippling song?

O sweet the dropping eve, the blush of morn,
The starlit sky, the rustling fields of corn,
The soft airs blowing from the freshening seas,

Compact Dusk

Here at the height of the day night change
The color of the sky is uncertain,
The sky depending in which direction
One's eye strains, each of its swatches a strange

Hue which dies too soon and which makes this hour
Linger in the mind transient as a life,
Whose names once known remain another
Posied-up portrait on our palette knife.

Until even I wonder if one tint
Ever survives the harm of seeming unique
(Evening's intrigue, time's singularity.)

Study for its trace, its placemap, I see
— Redundant as a stopsign in italic—

Commemoration

When first your glory shone upon my face
My body kindled to a mighty flame,
And burnt you yielding in my hot embrace
Until you swooned to love, breathing my name.

And wonder came and filled our night of sleep,
Like a new comet crimsoning the sky;
And stillness like the stillness of the deep
Suspended lay as an unuttered sigh.

I never again shall feel your warm heart flushed,
Panting with passion, naked unto mine,
Until the throbbing world around is hushed
To quiet worship at our scented shrine.

Coming Home

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry

Coleridge's Cristabel

Mark yon runnel, how ’tis flowing,
Like a sylvan spirit dreaming
Of the spring-blooms near it blowing,
And the sunlight o’er it beaming—
Bright from bank to bank, or growing
Darkly inter-freaked, when streaming
Where some willowy shade hangs bending
O’er it in green mingled masses—
Lights and shades and blossoms glowing,
All for greater beauty blending
In its vision as it passes.
Where that shelving rock is spied,
There, with a smooth warbling slide,
It lapses down into a cool

Cold Morning

Through an accidental crack in the curtain
I can see the eight o'clock light change from
charcoal to a faint gassy blue, inventing things

in the morning that has a thick skin of ice on it
as the water tank has, so nothing flows, all is bone,
telling its tale of how hard the night had to be

for any heart caught out in it, just flesh and blood
no match for the mindless chill that's settled in,
a great stone bird, its wings stretched stiff

from the tip of Letter Hill to the cobbled bay, its gaze

Codicil

Schizophrenic, wrenched by two styles,
one a hack's hired prose, I earn
me exile. I trudge this sickle, moonlit beach for miles,

tan, burn
to slough off
this live of ocean that's self-love.

To change your language you must change your life.

I cannot right old wrongs.
Waves tire of horizon and return.
Gulls screech with rusty tongues

Above the beached, rotting pirogues,
they were a venomous beaked cloud at Charlotteville.

One I thought love of country was enough,

Clancy of the Overflow

Clancy of the Overflow ...

I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just "on spec", addressed as follows, "Clancy, of The Overflow".
And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
Twas his shearing mate who wrote it, and verbatim I will quote it:
"Clancy's gone to Queensland droving, and we don't know where he are."

Cities and Thrones and Powers

Cities and Thrones and Powers,
Stand in Time's eye,
Almost as long as flowers,
Which daily die:
But, as new buds put forth
To glad new men,
Out of the spent and unconsidered Earth,
The Cities rise again.

This season's Daffodil,
She never hears,
What change, what chance, what chill,
Cut down last year's;
But with bold countenance,
And knowledge small,
Esteems her seven days' continuance,
To be perpetual.

So Time that is o'er -kind,
To all that be,
Ordains us e'en as blind,
As bold as she: