child

The old moon is tarnished
With smoke of the flood,
The dead leaves are varnished
With colour like blood.

A treacherous smiler
With teeth white as milk,
A savage beguiler
In sheathings of silk

The sea creeps to pillage,
She leaps on her prey;
A child of the village
Was murdered today.

She came up to meet him
In a smooth golden cloak,
She choked him and beat him
to death, for a joke.

Her bright locks were tangled,
She shouted for joy

A city clerk, but gently born and bred;
His wife, an unknown artist's orphan child--
One babe was theirs, a Margaret, three years old:
They, thinking that her clear germander eye
Droopt in the giant-factoried city-gloom,
Came, with a month's leave given them, to the sea:
For which his gains were dock'd, however small:
Small were his gains, and hard his work; besides,
Their slender household fortunes (for the man
Had risk'd his little) like the little thrift,
Trembled in perilous places o'er a deep:

I

At the gate of the West I stand,
On the isle where the nations throng.
We call them "scum o' the earth";

Stay, are we doing you wrong,
Young fellow from Socrates' land? --
You, like a Hermes so lissome and strong
Fresh from the Master Praxiteles' hand?
So you're of Spartan birth?
Descended, perhaps, from one of the band --
Deathless in story and song --
Who combed their long hair at Thermopylae's pass?
Ah, I forget the straits, alas!
More tragic than theirs, more compassion-worth,

It is our best and prayerful judgment that they (air attacks) are a necessary part of the surest road to peace.
Lyndon B. Johnson

There is a dark tolling in the air,
an unbearable needle in the vein,
the horizon flaked with feathers of rust.
From the caves of drugged flowers
fireflies rise through the night:
they bear the sweet gospel of napalm.

Democracies of flame are declared
in the villages, the rice-fields
seethe with blistered reeds.
Children stand somnolent on their crutches.

Some are teethed on a silver spoon,
With the stars strung for a rattle;
I cut my teeth as the black racoon--
For implements of battle.
Some are swaddled in silk and down,
And heralded by a star;
They swathed my limbs in a sackcloth gown
On a night that was black as tar.
For some, godfather and goddame
The opulent fairies be;
Dame Poverty gave me my name,
And Pain godfathered me.
For I was born on Saturday--
"Bad time for planting a seed,"
Was all my father had to say,

Tiny green birds skate over the surface of the room.
A naked girl prepares a basin with steaming water,
And in the corner away from the hearth, the red wheels
Of an up-ended chariot slowly turn.
After a long moment, the door to the other world opens
And the golden figure of a man appears. He stands
Ruddy as a salmon beside the niche where are kept
The keepsakes of the Prince of Earth; then sadly, drawing
A hammer out of his side, he advances to an oaken desk,
And being careful to strike in exact fury, pounds it to bits.

"Form follows function follows form . . . , etc."

--Dr. J. Anthony Wadlington

Here I am writing my first villanelle
At seventy-two, and feeling old and tired--
"Hey, Pops, why dontcha give us the old death knell?"--

And writing it what's more on the rim of hell
In blazing Arizona when all I desired
Was north and solitude and not a villanelle,

Working from memory and not remembering well
How many stanzas and in what order, wired
On Mexican coffee, seeing the death knell

Well; I may now receive, and die. My sin
Indeed is great, but yet I have been in
A purgatory, such as fear'd hell is
A recreation and scant map of this.
My mind, neither with pride's itch, nor yet hath been
Poison'd with love to see, or to be seen.
I had no suit there, nor new suit to show,
Yet went to court; but as Glaze which did go
To'a mass in jest, catch'd, was fain to disburse
The hundred marks, which is the statute's curse,
Before he 'scap'd; so'it pleas'd my destiny

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to

It chanced out back at the Christmas time,
When the wheat was ripe and tall,
A stranger rode to the farmer's gate --
A sturdy man and a small.
"Rin doon, rin doon, my little son Jack,
And bid the stranger stay;
And we'll hae a crack for Auld Lang Syne,
For the morn is Christmas Day."

"Nay noo, nay noo," said the dour guidwife,
"But ye should let him be;
He's maybe only a drover chap
Frae the land o' the Darling Pea.

"Wi' a drover's tales, and a drover's thirst