children

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,

Fair Child of Sun and Summer! we behold
With eager eyes thy wings bedropp'd with gold;
The purple spots that o'er thy mantle spread,
The sapphire's lively blue, the ruby's red,
Ten thousand various blended tints surprise,
Beyond the rainbow's hues or peacock's eyes:
Not Judah's king in eastern pomp array'd,
Whose charms allur'd from far the Sheban maid,
High on his glitt'ring throne, like you could shine
(Nature's completest miniature divine):
For thee the rose her balmy buds renews,

two smiles meet towards
the child-wheel of my zeal
the bloody baggage of creatures
made flesh in physical legends-lives

the nimble stags storms cloud over
rain falls under the scissors of
the dark hairdresser-furiously
swimming under the clashing arpeggios

in the machine's sap grass
grows around with sharp eyes
here the share of our caresses
dead and departed with the waves

gives itself up to the judgment of time
parted by the meridian of hairs
non strikes in our hands

I
A HAPPY MAN
(Carphyllides)

When these graven lines you see,
Traveler, do not pity me;
Though I be among the dead,
Let no mournful word be said.

Children that I leave behind,
And their children, all were kind;
Near to them and to my wife,
I was happy all my life.

My three sons I married right,
And their sons I rocked at night;
Death nor sorrow ever brought
Cause for one unhappy thought.

Now, and with no need of tears,

[Dedicated to Allan Bennett]


I

Hail to the golden One
Seen in the midmost Sun !
Hail to the golden beard and golden lips,
His whole lige golden to the finger-tips !
Hail to the golden hair in golden showers
Hiding the eyes like blue blue lotus-flowers !
His name is Ut, for He
Hath risen above all things that be.

II

Ardent and white, the Lord
Whirls forth a strident sword.
Its blade is broader than the great World-Ash ;
Its edge is keener than the lightning flash.

Children become, while little, our delights!
When they grow bigger, they begin to fright's.
Their sinful nature prompts them to rebel,
And to delight in paths that lead to hell.
Their parents' love and care they overlook,
As if relation had them quite forsook.
They take the counsels of the wanton's, rather
Than the most grave instructions of a father.
They reckon parents ought to do for them,
Though they the fifth commandment do contemn;
They snap and snarl if parents them control,

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain-edge as bare as the creature's skull,

Mother! Darling mother, you are seeking me I know,
And I feel thy love will follow through the world where'er I go;
But I cannot come, dear mother; I am sadly altered now:
The once fair wreath of innocence that garlanded my brow
Has faded ne'er to bloom again; and from the things of yore-
The fair, the good, the beautiful - I'm severed ever-more.
My onward way must be a path of darkness and of pain,
But I must tread it all alone - I cannot come again.

Of all the changes that have come, I know that this will be,

I gladly would sing in a joyous strain,
But my heart of its joy is bereft;
For my young life there is nought but grief and pain,
And a haunting memory left.
Look at the stars how they gleam from the skies
On me with a frosty stare;
Can it be that this world hath no pitying eyes
For the houseless child of care?
Ye that look on me have homes tonight,
And loving ones wait you there;
And the cheerful fire is burning bright,
And young faces are beaming fair.
Though a thousand homes are around I know

Not much of a dog yet,
that smudge in the distance, beyond the reach

of focus. It's just an impressionist
gesture, a guess. From the edge of the clearing, the farmhouse
materializes, settles

into wall & stone. The water,
making the surface

of the stream, makes
reflections. So why shouldn't the dog

accept limits, become

a figure? Is it like the girl who sits
in the hall closet and says she's not
hiding? She's inside—

listening without the burden