city

A city clerk, but gently born and bred;
His wife, an unknown artist's orphan child--
One babe was theirs, a Margaret, three years old:
They, thinking that her clear germander eye
Droopt in the giant-factoried city-gloom,
Came, with a month's leave given them, to the sea:
For which his gains were dock'd, however small:
Small were his gains, and hard his work; besides,
Their slender household fortunes (for the man
Had risk'd his little) like the little thrift,
Trembled in perilous places o'er a deep:

We were a tribe, a family, a people.
Wallace and Bruce guard now a painted field,
And all may read the folio of our fable,
Peruse the sword, the sceptre and the shield.
A simple sky roofed in that rustic day,
The busy corn-fields and the haunted holms,
The green road winding up the ferny brae.
But Knox and Melville clapped their preaching palms
And bundled all the harvesters away,
Hoodicrow Peden in the blighted corn
Hacked with his rusty beak the starving haulms.
Out of that desolation we were born.

For Lucy, who called them "ghost houses."


Someone was always leaving
and never coming back.
The wooden houses wait like old wives
along this road; they are everywhere,
abandoned, leaning, turning gray.

Someone always traded
the lonely beauty
of hemlock and stony lakeshore
for survival, packed up his life
and drove off to the city.
In the yards the apple trees
keep hanging on, but the fruit
grows smaller year by year.

When we come this way again

The city is closing for the night.
Stores draw their blinds one by one,
and it's dark again, save for the dim

infrequent streetlight bending at the neck
like a weighted stem. Years have built
the city in layers: balustrades filled in

with brick, adobe reinforced with steel,
and the rounded arches smoothed
with white cement. Neighborhoods

have changed the burro trails
to streets, bare at night—
no pedestrians, no cars, no dogs.

With daylight, the houses turned galleries

So hangs the hour like fruit fullblown and sweet,
Our strict and desperate avatar,
Despite that antique westward gulls lament
Over enormous waters which retreat
Weary unto the white and sensual star.
Accept these images for what they are--
Out of the past a fragile element
Of substance into accident.
I would speak honestly and of a full heart;
I would speak surely for the tale is short,
And the soul's remorseless catalogue
Assumes its quick and piteous sum.
Think you, hungry is the city in the fog

Samuel Sewall, in a world of wigs,
Flouted opinion in his personal hair;
For foppery he gave not any figs,
But in his right and honor took the air.
Thus in his naked style, though well attired,
He went forth in the city, or paid court
To Madam Winthrop, whom he much admired,
Most godly, but yet liberal with the port.

And all the town admired for two full years
His excellent address, his gifts of fruit,
Her gracious ways and delicate white ears,
And held the course of nature abolute.

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,

I, born in Weimar
Of a mother who was French
And German father, a most learned professor,
Orphaned at fourteen years,
Became a dancer, known as Russian Sonia,
All up and down the boulevards of Paris,
Mistress betimes of sundry dukes and counts,
And later of poor artists and of poets.
At forty years, passée, I sought New York
And met old Patrick Hummer on the boat,
Red-faced and hale, though turned his sixtieth year,
Returning after having sold a ship-load
Of cattle in the German city, Hamburg.

1918


God rest you, peaceful gentlemen, let nothing you dismay,
But--leave your sports a little while--the dead are borne
this way!
Armies dead and Cities dead, past all count or care.
God rest you, merry gentlemen, what portent see you there?
Singing:--Break ground for a wearied host
That have no ground to keep.
Give them the rest that they covet most . . .
And who shall next to sleep, good sirs,
In such a trench to sleep?

God rest you, peaceful gentlemen, but give us leave to pass.

Those villages stricken with the melancholia of Sunday,
in all of whose ocher streets one dog is sleeping

those volcanoes like ashen roses, or the incurable sore
of poverty, around whose puckered mouth thin boys are
selling yellow sulphur stone

the burnt banana leaves that used to dance
the river whose bed is made of broken bottles
the cocoa grove where a bird whose cry sounds green and
yellow and in the lights under the leaves crested with
orange flame has forgotten its flute