dance

WHEN the world is burning,
Fired within, yet turning
   Round with face unscathed;
Ere fierce flames, uprushing,
O'er all lands leap, crushing,
   Till earth fall, fire-swathed;
Up amidst the meadows,
Gently through the shadows,
   Gentle flames will glide,
Small, and blue, and golden.
Though by bard beholden,
When in calm dreams folden,--
   Calm his dreams will bide.

Where the dance is sweeping,
Through the greensward peeping,
   Shall the soft lights start;

When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars

WHEN cold December
Froze to grisamber
The jangling bells on the sweet rose-trees--
Then fading slow
And furred is the snow
As the almond's sweet husk--
And smelling like musk.
The snow amygdaline
Under the eglantine
Where the bristling stars shine
Like a gilt porcupine--
The snow confesses
The little Princesses
On their small chioppines
Dance under the orpines.
See the casuistries
Of their slant fluttering eyes--
Gilt as the zodiac
(Dancing Herodiac).

When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers are
painted in tints-when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music
in leaves, and why waves send their chorus of voices to the heart
of the listening earth-when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why
there is honey in the cup of the flower, and why fruits are

The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.

She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,

Light drunkenly reels into shadow;
Blurs, slurs uneasily;
Slides off the eyeballs:
The segments shatter.

Tree-branches cut arc-light in ragged
Fluttering wet strips.
The cup of the sky-sign is filled too full;
It slushes wine over.

The street-lamps dance a tarentella
And zigzag down the street:
They lift and fly away
In a wind of lights.


Submitted by Stephen Fryer

Some clichty folks
don't know the facts,
posin' and preenin'
and puttin' on acts,
stretchin' their backs.

They move into condos
up over the ranks,
pawn their souls
to the local banks.
Buying big cars
they can't afford,
ridin' around town
actin' bored.

If they want to learn how to live life right
they ought to study me on Saturday night.

My job at the plant
ain't the biggest bet,
but I pay my bills
and stay out of debt.
I get my hair done

The tale of the Count our glad song shall record

Who had in this castle his dwelling,
Where now ye are feasting the new-married lord,

His grandson of whom we are telling.
The Count as Crusader had blazon'd his fame,
Through many a triumph exalted his name,
And when on his steed to his dwelling he came,

His castle still rear'd its proud head,
But servants and wealth had all fled.

'Tis true that thou, Count, hast return'd to thy home,

But matters are faring there ill.

WE go no more to the forest,
The rimus are all cut down.
They are built into roof and sill and wall,
Into floors that thrill to the last foot-fall
In the dancing of the town.

We go no more to the forest,
The kauris are all cut down.
They are built into ships so stout and strong,
Bearing their cargoes safe along,
Sailing from town to town.

We go no more to the forest,
The ratas are all cut down.
There are cornfields, golden and green and wide,