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In Front of a Candle

I formed the holder of gold,
as you told me to mother,
gold, out of which She comes,
a shade, to me, in the middle
of fracturing hours,
your
being-dead’s daughter.

Slender in shape,
a thin, almond-eyed shadow,
her mouth and her sex
danced round by creatures from sleep,
out of the cave of the gold,
she rises up,
to the summit of Now.

With night-dark-shrouded
lips,
I speak the Prayer:

In the name of the Three
who fight with each other, until
heaven reaches down into the graveyard of feeling,

In Faith

When the soft sweet wind o' the south went by,
I dwelt in the light of a dark brown eye;
And out where the robin sang his song,
We lived and loved, while the days were long.

In the sweet, sweet eves, when the moon swung high,
We wandered under the starry sky;
Or sat in the porch, and the moon looked through
The latticed wall where the roses grew.

My lips, that hd no lover's kiss,
You taught the art, till they trilled in bliss;
And the moon, and the stars, and the roses knew
That the heart you won was pure and true.

In California During the Gulf War

Among the blight-killed eucalypts, among
trees and bushes rusted by Christmas frosts,
the yards and hillsides exhausted by five years of drought,

certain airy white blossoms punctually
reappeared, and dense clusters of pale pink, dark pink--
a delicate abundance. They seemed

like guests arriving joyfully on the accustomed
festival day, unaware of the year's events, not perceiving
the sackcloth others were wearing.

To some of us, the dejected landscape consorted well
with our shame and bitterness. Skies ever-blue,

In Bertram's Garden

Jane looks down at her organdy skirt
As if it somehow were the thing disgraced,
For being there, on the floor, in the dirt,
And she catches it up about her waist,
Smooths it out along one hip,
And pulls it over the crumpled slip.

On the porch, green-shuttered, cool,
Asleep is Bertram that bronze boy,
Who, having wound her around a spool,
Sends her spinning like a toy
Out to the garden, all alone,
To sit and weep on a bench of stone.

Soon the purple dark must bruise
Lily and bleeding-heart and rose,

In Barracks

The barrack-square, washed clean with rain,
Shines wet and wintry-grey and cold.
Young Fusiliers, strong-legged and bold,
March and wheel and march again.
The sun looks over the barrack gate,
Warm and white with glaring shine,
To watch the soldiers of the Line
That life has hired to fight with fate.

Fall out: the long parades are done.
Up comes the dark; down goes the sun.
The square is walled with windowed light.
Sleep well, you lusty Fusiliers;
Shut your brave eyes on sense and sight,

In Age

And art thou he, now "fallen on evil days,"
And changed indeed! Yet what do this sunk cheek,
These thinner locks, and that calm forehead speak!
A spirit reckless of man's blame or praise,--
A spirit, when thine eyes to the noon's blaze
Their dark orbs roll in vain, in suffering meek,
As in the sight of God intent to seek,
Mid solitude or age, or through the ways
Of hard adversity, the approving look
Of its great Master; whilst the conscious pride
Of wisdom, patient and content to brook
All ills to that sole Master's task applied,

In a Wine Cellar

SEE how it flashes,
This grape-blood fine!—
Our beards it splashes,
O comrade mine!—
Life dust and ashes
Were, wanting wine.
Amontillado
Fires heart and eyes;
Champagne the shadow
Of care defies;
An El Dorado
In Rhine-wine lies;

Port has the mintage
Of generous deeds;
Tokay scorns stintage
And richly bleeds;
But this great vintage
The Wine-March leads.

Yet it is wanting
In poesy;
No legends haunting
Its vassals be,
No tales enchanting
Of chivalry.

In a Southern Garden

WHEN the tall bamboos are clicking to the restless little breeze,
And bats begin their jerky skimming flight,
And the creamy scented blossoms of the dark pittosporum trees,
Grow sweeter with the coming of the night.

And the harbour in the distance lies beneath a purple pall,
And nearer, at the garden’s lowest fringe,
Loud the water soughs and gurgles ’mid the rocks below the wall,
Dark-heaving, with a dim uncanny tinge

Of a green as pale as beryls, like the strange faint-coloured flame

In a Minor Key

(AN ECHO FROM A LARGER LYRE.)


That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.

You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.

And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red--
Tall trees grow thick--I can see it still!

In A Dark Time

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.

A steady storm of correspondences!