SAMUEL, Chap. xvii.

YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
Now front to front the armies were display'd,
Here Israel rang'd, and there the foes array'd;
The hosts on two opposing mountains stood,

In gold and grey, with fleering looks of sin,
I watch them come; by two, by three, by four,
Advancing slow, with loutings they begin
Their woven measure, widening from the door;
While music-men behind are straddling in
With flutes to brisk their feet across the floor,—
And jangled dulcimers, and fiddles thin
That taunt the twirling antic through once more.

They pause, and hushed to whispers, steal away.
With cunning glances; silent go their shoon
On creakless stairs; but far away the dogs
Bark at some lonely farm: and haply they

Then said a rich man, "Speak to us of Giving."

And he answered:

You give but little when you give of your possessions.

It is when you give of yourself that you truly give.

For what are your possessions but things you keep and guard for fear you may need them tomorrow?

And tomorrow, what shall tomorrow bring to the overprudent dog burying bones in the trackless sand as he follows the pilgrims to the holy city?

And what is fear of need but need itself?

The first time I drank gin
I thought it must be hair tonic.
My brother swiped the bottle
from a guy whose father owned
a drug store that sold booze
in those ancient, honorable days
when we acknowledged the stuff
was a drug. Three of us passed
the bottle around, each tasting
with disbelief. People paid
for this? People had to have
it, the way we had to have
the women we never got near.
(Actually they were girls, but
never mind, the important fact
was their impenetrability. )
Leo, the third foolish partner,

Too volatile, am I?too voluble?too much a word-person?
I blame the soup:I'm a primordially
stirred person.

Two pronouns and a vehicle was Icarus with wings.
The apparatus of his selves made an ab-
surd person.

The sound I make is sympathy's:sad dogs are tied afar.
But howling I become an ever more un-
heard person.

I need a hundred more of you to make a likelihood.
The mirror's not convincing-- that at-best in-
ferred person.

As time's revealing gets revolting, I start looking out.

A step-mother drove me from home, embittering me.
A squaw-man, a flaneur and dilettante took my virtue.
For years I was his mistress -- no one knew.
I learned from him the parasite cunning
With which I moved with the bluffs, like a flea on a dog.
All the time I was nothing but "very private" with different men.
Then Daniel, the radical, had me for years.
His sister called me his mistress;
And Daniel wrote me: "Shameful word, soiling our beautiful love!"
But my anger coiled, preparing its fangs.
My Lesbian friend next took a hand.

Each afternoon in Granada,
each afternoon, a child dies.
Each afternoon the water sits down
and chats with its companions.

The dead wear mossy wings.
The cloudy wind and the clear wind
are two pheasants in flight through the towers,
and the day is a wounded boy.

Not a flicker of lark was left in the air
when I met you in the caverns of wine.
Not the crumb of a cloud was left in the ground
when you were drowned in the river.

A giant of water fell down over the hills,
and the valley was tumbling with lilies and dogs.

Black milk of daybreak we drink it at nightfall
we drink it at noon in the morning we drink it at night
we drink it and drink it
we are digging a grave in the sky it is ample to lie there
A man in the house he plays with the serpents he writes
he writes when the night falls to Germany your golden
hair Margarete
he writes it and walks from the house the stars glitter he
whistles his dogs up
he whistles his Jews out and orders a grave to be dug in
the earth
he commands us strike up for the dance

Ah, but the City of Pain: how strange its streets are:
the false silence of sound drowning sound,
and there--proud, brazen, effluence from the mold of emptiness--
the gilded hubbub, the bursting monument.
How an Angel would stamp out their market of solaces,
set up alongside their church bought to order:
clean and closed and woeful as a post office on Sunday.
Outside, though, there's always the billowing edge of the fair.
Swings of Freedom! High-divers and Jugglers of Zeal!
And the shooting gallery with its figures of idiot Happiness

Store cattle from Nelanjie! The mob goes feeding past,
With half-a-mile of sandhill 'twixt the leaders and the last;
The nags that move behind them are the good old Queensland stamp-
Short backs and perfect shoulders that are priceless on a camp;
And these are men that ride them, broad-cheated, tanned, and tall,
The bravest hearts amongst us and the lightest hands of all:
Oh, let them wade in Wonga grass and taste the Wonga dew,
And let them spread, those thousand head-for we've been droving tool