To a Child of Quality, Five Years Old, 1704. The Author then Forty

LORDS, knights, and squires, the numerous band
   That wear the fair Miss Mary's fetters,
Were summoned by her high command
   To show their passions by their letters.

My pen amongst the rest I took,
   Lest those bright eyes, that cannot read,
Should dart their kindling fire, and look
   The power they have to be obey'd.

Nor quality, nor reputation,
   Forbid me yet my flame to tell;
Dear Five-years-old befriends my passion,
   And I may write till she can spell.


Third Sunday After Epiphany

I marked a rainbow in the north,
What time the wild autumnal sun
From his dark veil at noon looked forth,
As glorying in his course half done,
Flinging soft radiance far and wide
Over the dusky heaven and bleak hill-side.

It was a gleam to Memory dear,
And as I walk and muse apart,
When all seems faithless round and drear,
I would revive it in my heart,
And watch how light can find its way
To regions farthest from the fount of day.

Light flashes in the gloomiest sky,


The Sting of Death

`Is Sin, then, fair?'
Nay, love, come now,
Put back the hair
From his sunny brow;
See, here, blood-red
Across his head
A brand is set,
The word -- `Regret.'

`Is Sin so fleet
That while he stays,
Our hands and feet
May go his ways?'
Nay, love, his breath
Clings round like death,
He slakes desire
With liquid fire.

`Is Sin Death's sting?'
Ay, sure he is,
His golden wing
Darkens man's bliss;
And when Death comes,
Sin sits and hums


The Pangolin

Another armored animal–scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail row! This near artichoke with head and legs and
grit-equipped gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica–
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge–
or bare ear licking even this small
eminence and similarly safe
contracting nose and eye apertures


The Palace of Humbug

Lays of Mystery,
Imagination, and Humor

Number 1

I dreamt I dwelt in marble halls,
And each damp thing that creeps and crawls
Went wobble-wobble on the walls.

Faint odours of departed cheese,
Blown on the dank, unwholesome breeze,
Awoke the never ending sneeze.

Strange pictures decked the arras drear,
Strange characters of woe and fear,
The humbugs of the social sphere.

One showed a vain and noisy prig,
That shouted empty words and big
At him that nodded in a wig.


The Half-breed Girl

She is free of the trap and the paddle,
The portage and the trail,
But something behind her savage life
Shines like a fragile veil.

Her dreams are undiscovered,
Shadows trouble her breast,
When the time for resting cometh
Then least is she at rest.

Oft in the morns of winter,
When she visits the rabbit snares,
An appearance floats in the crystal air
Beyond the balsam firs.

Oft in the summer mornings
When she strips the nets of fish,
The smell of the dripping net-twine


Tis so appallingit exhilarates

281

'Tis so appalling—it exhilarates—
So over Horror, it half Captivates—
The Soul stares after it, secure—
A Sepulchre, fears frost, no more—

To scan a Ghost, is faint—
But grappling, conquers it—
How easy, Torment, now—
Suspense kept sawing so—

The Truth, is Bald, and Cold—
But that will hold—
If any are not sure—
We show them—prayer—
But we, who know,
Stop hoping, now—

Looking at Death, is Dying—
Just let go the Breath—
And not the pillow at your Cheek


Time Is

Time is
Too Slow for those who Wait,
Too Swift for those who Fear,
Too Long for those who Grieve,
Too Short for those who Rejoice;
But for those who Love,
Time is not.


Thursday, the Bassette-Table

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.


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