fear

The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.

A land where silence lies so deep that sound itself is dead

This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.

This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;

AT dawn the ridge emerges massed and dun
In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,

The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;

Through thick Arcadian woods a hunter went,
Following the beasts upon a fresh spring day;
But since his horn-tipped bow but seldom bent,
Now at the noontide nought had happed to slay,
Within a vale he called his hounds away,
Hearkening the echoes of his lone voice cling
About the cliffs and through the beech-trees ring.

But when they ended, still awhile he stood,
And but the sweet familiar thrush could hear,
And all the day-long noises of the wood,
And o'er the dry leaves of the vanished year

Some who are uncertain compel me. They fear
The Ace of Spades. They fear
Loves offered suddenly, turning from the mantelpiece,
Sweet with decision. And they distrust
The fireworks by the lakeside, first the spuft,
Then the colored lights, rising.
Tentative, hesitant, doubtful, they consume
Greedily Caesar at the prow returning,
Locked in the stone of his act and office.
While the brass band brightly bursts over the water
They stand in the crowd lining the shore
Aware of the water beneath Him. They know it. Their eyes

Searching the pile of corpses the victors found four Frenchmen still breathing. Three had scarcely a spark of life . . . the fourth seemed likely to survive and they reserved him for future torments.

- Parkman's History


A prisoner under the stars I lie,
With no friend near;
To-morrow they lead me forth to die,
The stake is ready, the torments set,
They will pay in full their deadly debt;
But I fear them not! Oh, none could fear
Of those who stood by Daulac's side­

"Who is it that this dark night
Underneath my window plaineth?"
'It is one who from thy sight
Being, ah! exiled, disdaineth
Every other vulgar light.'

"Why, alas! and are you he?
Be not yet those fancies changed?"
'Dear, when you find change in me,
Though from me you be estranged,
Let my change to ruin be.'

"Well, in absence this will die;
Leave to see, and leave to wonder."
'Absence sure will help, If I
Can learn how myself to sunder
From what in my heart doth lie.'

Fear ye not the stormy future, for the Battle Hymn is strong,
And the armies of Australia shall not march without a song;
The glorious words and music of Australia's song shall come
When her true hearts rush together at the beating of a drum.

We may not be there to hear it – 'twill be written in the night,
And Australia's foes shall fear it in the hour before the fight.
The glorious words and music from a lonely heart shall come
When our sons shall rush to danger at the beating of the drum.

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,