Give me a cabin in the woods
Where not a human soul intrudes;
Where I can sit beside a stream
Beneath a balsam bough and deam,
And every morning see arise
The sun like bird of paradise;
Then go down to the creek and fish
A speckled trout for breakfast dish,
And fry it in an ember fire -
Ah! there's the life of my desire.

Alas! I'm tied to Wall Street where
They reckon me a millionaire,
And sometimes in a day alone
I gain a fortune o'er the 'phone.
Yet I to be a man was made,
And here I ply this sorry trade

There once was a limpet puffed with pride
Who said to the ribald sea:
"It isn't I who cling to the rock,
It's the rock that clings to me;
It's the silly old rock who hugs me tight,
Because he loves me so;
And though I struggle with all my might,
He will not let me go."

Then said the sea, who hates the rock
That defies him night and day:
"You want to be free - well, leave it to me,
I'll help you get away.
I know such a beautiful silver beach,
Where blissfully you may bide;
Shove off to-night when the moon is bright,

This celestial seascape, with white herons got up as angels,
flying high as they want and as far as they want sidewise
in tiers and tiers of immaculate reflections;
the whole region, from the highest heron
down to the weightless mangrove island
with bright green leaves edged neatly with bird-droppings
like illumination in silver,
and down to the suggestively Gothic arches of the mangrove roots
and the beautiful pea-green back-pasture
where occasionally a fish jumps, like a wildflower
in an ornamental spray of spray;

Tide be runnin' the great world over:
'Twas only last June month I mind that we
Was thinkin' the toss and the call in the breast of the lover
So everlastin' as the sea.

Heer's the same little fishes that sputter an swim,
Wi' the moon's old glim on the grey, wet sand;
An' him no more to me mor me to him
Than the wind goin' over my hand.

1
(Windless Summer)

Between the glass panes of the sea are pressed
Patterns of fronds, and the bronze tracks of fishes.

2
(Winter)

Foam-ropes lasso the seal-black shiny rocks,
Noosing, slipping and noosing again for ever.

3
(Windy Summer)

Over-sea going, under returning, meet
And make a wheel, a shell, to hold the sun.


Submitted by Stephen Fryer

I sat on the bank above Bernadotte
And dropped crumbs in the water,
Just to see the minnows bump each other,
Until the strongest got the prize.
Or I went to my little pasture,
Where the peaceful swine were asleep in the wallow,
Or nosing each other lovingly,
And emptied a basket of yellow corn,
And watched them push and squeal and bite,
And trample each other to get the corn.
And I saw how Christian Dallman's farm,
Of more than three thousand acres,
Swallowed the patch of Felix Schmidt,
As a bass will swallow a minnow

Fleas, stink, pigs, mold,
The gist of the Bohemian soul,
Bread and salted fish and cold.

Leeks, and cabbage three days old,
Smoked meat, as hard and black as coal;
Fleas, stink, pigs, mold.

Twenty eating from one bowl,
A bitter drink -it's beer, I'm told-
Bad sleep on a straw in some filthy hole,
Fleas, stink, pigs, mold,

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,

I’LL be an otter, and I’ll let you swim
A mate beside me; we will venture down
A deep, dark river, when the sky above
Is shut of the sun; spoilers are we,
Thick-coated; no dog’s tooth can bite at our veins
With eyes and ears of poachers; deep-earthed ones
Turned hunters; let him slip past
The little vole; my teeth are on an edge
For the King-fish of the River!
I hold him up
The glittering salmon that smells of the sea;
I hold him high and whistle!
Now we go
Back to our earths; we will tear and eat

Here at the seashore they use the clouds over & over
again, like the rented animals in Aïda.
In the late morning the land breeze
turns and now the extras are driving
all the white elephants the other way.
What language are the children shouting in?
He is lying on the beach listening.

The sand knocks like glass, struck by bare heels.
He tries to remember snow noise.
Would powder snow ping like that?
But you don't lie with your ear to powder snow.
Why doesn't the girl who takes care
of the children, a Yale girl without flaw,