future

ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Ye rigid Ploughmen, bear in mind

Youth's gay springtime scarcely knowing
Went I forth the world to roam--
And the dance of youth, the glowing,
Left I in my father's home,
Of my birthright, glad-believing,
Of my world-gear took I none,
Careless as an infant, cleaving
To my pilgrim staff alone.
For I placed my mighty hope in
Dim and holy words of faith,
"Wander forth--the way is open,
Ever on the upward path--
Till thou gain the golden portal,
Till its gates unclose to thee.
There the earthly and the mortal,

To-day's most trivial act may hold the seed
Of future fruitfulness, or future dearth;
Oh, cherish always every word and deed!
The simplest record of thyself hath worth.

If thou hast ever slighted one old thought,
Beware lest Grief enforce the truth at last;
The time must come wherein thou shalt be taught
The value and the beauty of the Past.

Not merely as a warner and a guide,
"A voice behind thee," sounding to the strife;
But something never to be put aside,
A part and parcel of thy present life.

The Past is flowing through my thoughts—
Flowing like a sea;
With all its billows dancing bright
Over what?—an undermight
Of darkling loss and destiny.
Still it floweth through my thoughts—
Floweth like a sea;
While of worn hope I ask alway,
Like an unsought cast-astray—
What can the future bring to me?

And hope herself admits: To thee
But a darkening scene—
Only slow days of care and doubt,
Only a dreary lengthening out,

You are old, Father William, the young man cried,
The few locks which are left you are grey;
You are hale, Father William, a hearty old man,
Now tell me the reason I pray.

In the days of my youth, Father William replied,
I remember'd that youth would fly fast,
And abused not my health and my vigour at first
That I never might need them at last.

You are old, Father William, the young man cried,
And pleasures with youth pass away,
And yet you lament not the days that are gone,
Now tell me the reason I pray.

The old Jimmy Woodser comes into the bar
Unwelcomed, unnoticed, unknown,
Too old and too odd to be drunk with, by far;
So he glides to the end where the lunch baskets are
And they say that he tipples alone.

His frockcoat is green and the nap is no more,
And his hat is not quite at its best;
He wears the peaked collar our grandfathers wore,
The black-ribbon tie that was legal of yore,
And the coat buttoned over his breast.


When first he came in, for a moment I thought

In a wild moraine of forgotten books,
On the glacier of years gone by,
As I plied my rake for order's sake,
There was one that caught my eye:
And I sat by the shelf till I lost myself.
And roamed in the crowded mist,
And heard lost voices and saw lost looks,
As I pored on an Old School List.

What a jumble of names! there were some that I knew,
As a brother is known: to-day
Gone I know not where, nay I hardly care,
For their places are full: and, they--
What climes they have ranged: how much they're changed!

In an old bark hut on a mountainside
In a spot that was lone and drear
A woman whose heart was aching sat
Watching from year to year.
A small boy, Jim, her only child,
Helped her to watch and wait,
But the time never came when they could go free,
Free from the bond of hate.
For McConnel was out on the mountainside
Living without a hope
And seeing nothing before him now
But death by a hangman’s rope.
Hated and chased by his fellow men,
To take him alive or dead,

About suffering, about adoration, the old masters
Disagree. When someone suffers, no one else eats
Or walks or opens the window--no one breathes
As the sufferers watch the sufferer.
In St. Sebastian Mourned by St. Irene
The flame of one torch is the only light.
All the eyes except the maidservant's (she weeps
And covers them with a cloth) are fixed on the shaft
Set in his chest like a column; St. Irene's
Hands are spread in the gesture of the Madonna,
Revealing, accepting, what she does not understand.

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.