Brown eyes,
Straight nose;
Dirt pies,
Rumpled clothes;

Torn books,
Spoilt toys;
Arch looks,
Unlike a boy's;

Little rages,
Obvious arts;
(Three her age is,)
Cakes, tarts;

Falling down
Off chairs;
Breaking crown
Down stairs;

Catching flies
On the pane;
Deep sighs,--
Cause not plain.

Bribing you
With kisses
For a few
Farthing blisses;

Wide awake,
As you hear,
"Mercy's sake,
Quiet, dear!"

New shoes,
New frock;

I. CHICKENS

I am The Great White Way of the city:
When you ask what is my desire, I answer:
"Girls fresh as country wild flowers,
With young faces tired of the cows and barns,
Eager in their eyes as the dawn to find my mysteries,
Slender supple girls with shapely legs,
Lure in the arch of their little shoulders
And wisdom from the prairies to cry only softly at
the ashes of my mysteries."

II. USED UP

Lines based on certain regrets that come with rumination

The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much

It's June ag'in, an' in my soul I feel the fillin' joy
That's sure to come this time o' year to every little boy;
For, every June, the Sunday-schools at picnics may be seen,
Where "fields beyont the swellin' floods stand dressed in livin' green";
Where little girls are skeered to death with spiders, bugs, and ants,
An' little boys get grass-stains on their go-to meetin' pants.
It's June ag'in, an' with it all what happiness is mine -
There's goin' to be a picnic, an' I'm goin' to jine!

One year I jined the Baptists, an' goodness! how it rained!

A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,

WHEN by Zeus relenting the mandate was revoked,
   Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
   Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
   Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
   Sister of his own, till her rays fell wide.
   God! of whom music
   And song and blood are pure,

Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear:
If o'er against her you were plac't
She durst not look above your Wa[i]st;
She'd rather take you to her Bed
Than let you see her dress her Head;
In Church you heard her thro' the Crowd
Repeat the Absolution loud;
In Church, secure behind her Fan
She durst behold that Monster, Man:
There practic'd how to place her Head,
And bit her Lips to make them red:
Or on the Matt devoutly kneeling

Simson settled in the timber when his arm was strong and true,
And his form was straight and limber; and he wrought the long day through
In a struggle, single-handed, and the trees fell slowly back,
Twenty thousand giants banded ’gainst a solitary jack.

Through the fiercest days of summer you might hear his keen axe ring
And re-echo in the ranges, hear his twanging crosscut sing;
There the great gums swayed and whispered, and the birds were skyward blown,
As the circling hills saluted o’er a bush king overthrown.

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.

Now up and down the siding brown
The great black crows are flyin',
And down below the spur, I know,
Another `milker's' dyin';
The crops have withered from the ground,
The tank's clay bed is glarin',
But from my heart no tear nor sound,
For I have gone past carin' --
Past worryin' or carin',
Past feelin' aught or carin';
But from my heart no tear nor sound,
For I have gone past carin'.

Through Death and Trouble, turn about,
Through hopeless desolation,