girl

Wanton wenches do not bring
For my hairs black colouring :
For my locks, girls, let 'em be
Grey or white, all's one to me.

Girl with the burning golden eyes,
And red-bird song, and snowy throat:
I bring you gold and silver moons,
And diamond stars, and mists that float.
I bring you moons and snowy clouds,
I bring you prarie skies to-night
To feebly praise your golden eyes
And red-bird song, and throat so white.

The pure products of America
go crazy--
mountain folk from Kentucky

or the ribbed north end of
Jersey
with its isolate lakes and

valleys, its deaf-mutes, thieves
old names
and promiscuity between

devil-may-care men who have taken
to railroading
out of sheer lust of adventure--

and young slatterns, bathed
in filth
from Monday to Saturday

to be tricked out that night
with gauds
from imaginations which have no

peasant traditions to give them

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:

'midst the noise of merriment and glee,

'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,

How, at evening's hour so fair,
Thou a kindly hand didst reach us,

When thou, in some happy place

Where more fair is Nature s face,

Many a lightly-hidden trace
Of a spirit loved didst teach us.

Well 'tis that thy worth I rightly knew,--

That I, in the hour when first we met,

While the first impression fill'd me yet,
Call'd thee then a girl both good and true.

Think'st thou I saw thy beauteous eyes,
Suffus'd in tears, implore to stay;
And heard unmov'd thy plenteous sighs,
Which said far more than words can say?

Though keen the grief thy tears exprest,
When love and hope lay both o'erthrown;
Yet still, my girl, this bleeding breast
Throbb'd, with deep sorrow, as thine own.

But, when our cheeks with anguish glow'd,
When thy sweet lips were join'd to mine;
The tears that from my eyelids flow'd
Were lost in those which fell from thine.

You come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist

. Sweet Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these grey rocks; that household lawn;
Those trees, a veil just half withdrawn;
This fall of water that doth make
A murmur near the silent lake;
This little bay; a quiet road
That holds in shelter thy Abode--
In truth together do ye seem
Like something fashioned in a dream;
Such Forms as from their covert peep

When the sklll'd fashioner of female faces
Designed your mask, he wrought with cunning fist,
And made a mouth expressly to be kiss'd -
Not for shrill utterance nor pert grimaces.

The curved, ripe lips-above the rounded chin -
He dyed the hue of summer's reddest rose,
Then placed a smile upon them to disclose
A glimpse of white and even pearls within.

Those lips are silent, sweetheart! - but your eyes
Are eloquent, and they love's lesson teach
Better than other woman's aptest speech -

Let verse of yours be flexible, but strong,
Strong as a poplar under valley's cover,
Strong as the earth under a plough, long,
Strong as a girl, who never knew a lover.

Reliably preserve severity at length,
Your verse need not be fluttering or booming,
Although the Muse has very easy steps,
She's not a dancer, but a goddess, ruling.

Frolicsome din of interrupted rhymes --
Temptation for decline, so free and so easy --
Just leave for use by jokers in a dance
On city streets for people who aren't busy.