god

I am the Cannon King, behold!
I perish on a throne of gold.
With forest far and turret high,
Renowned and rajah-rich am I.
My father was, and his before,
With wealth we owe to war on war;
But let no potentate be proud . . .
There are no pockets in a shroud.

By nature I am mild and kind,
To gentleness and ruth inclined;
And though the pheasants over-run
My woods I will not touch a gun.
Yet while each monster that I forge
Thunders destruction form its gorge.

When Tom and I were married, we took a little flat;
I had a taste for singing and playing and all that.
And Tom, who loved to hear me, said he hoped
I would not stop
All practice, like so many wives who let their
music drop.
So I resolved to set apart an hour or two each day
To keeping vocal chords and hands in trim to sing and play.

The second morning I had been for half and hour or more
At work on Haydn’s masses, when a tap came at my door.
A nurse, who wore a dainty cap and apron, and a smile,

The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.

I had been singin' to them to keep 'em quiet there,
For the lower deck is the dangerousest, requirin' constant care,
An' give to me as the strongest man, though used to drink and swear.

I see my chance was certain of bein' horned or trod,
For the lower deck was packed with steers thicker'n peas in a pod,

157

Musicians wrestle everywhere—
All day—among the crowded air
I hear the silver strife—
And—walking—long before the morn—
Such transport breaks upon the town
I think it that "New Life"!

If is not Bird—it has no nest—
Nor "Band"—in brass and scarlet—drest—
Nor Tamborin—nor Man—
It is not Hymn from pulpit read—
The "Morning Stars" the Treble led
On Time's first Afternoon!

Some—say—it is "the Spheres"—at play!
Some say that bright Majority
Of vanished Dames—and Men!

What streets, what taxis transport them
over bridges & speed bumps-my daughters swift

in pursuit of union? What suitors amuse them, what mazes
of avenues tilt & confuse them as pleasure, that pinball

goes bouncing off light posts & lands in a pothole,
on to pop up & roll in the gutter? What footloose new

freedoms allow them to plow through all stop signs,
careenng at corners, hell-bent for the road to blaze straight?

It's 10 P.M. in the boonies. My children, I'm thinking

My child wafts peace.
When I lean over him,
It is not just the smell of soap.

All the people were children wafting peace.
(And in the whole land, not even one
Millstone remained that still turned).

Oh, the land torn like clothes
That can't be mended.
Hard, lonely fathers even in the cave of the Makhpela*
Childless silence.

My child wafts peace.
His mother's womb promised him
What God cannot
Promise us.


* The traditional burial place in Hebron of Abraham

I have a heartfelt aversion for crime,--a twofold aversion,
Since 'tis the reason why man prates about virtue so much.
"What! thou hatest, then, virtue?"--I would that by all it were practised,
So that, God willing, no man ever need speak of it more.

When I bethink me on that speech whilere,
Of Mutability, and well it weigh:
Me seems,that though she all unworthy were
Of the Heav'ns Rule; yet very sooth to say,
In all things else she bears the greatest sway.
Which makes me loathe this state of life so tickle,
And love of things so vain to cast away;
Whose flow'ring pride, so fading and so fickle,
Short Time shall soon cut down with his consuming sickle.

Then gin I think on that which Nature said.
Of that same time when no more Change shall be,

Oh, wearisome condition of humanity,
Born under one law, to another bound;
Vainly begot, and yet forbidden vanity,
Created sick, commanded to be sound.
What meaneth nature by these diverse laws?
Passion and reason self-division cause.
It is the mark or majesty of power
To make offences that it may forgive;
Nature herself doth her own self deflower,
To hate those errors she herself doth give.
For how should man think that he may not do,
If nature did not fail and punish too?

Once played to attentive faces
music has broken its frame
its bodice of always-weak laces
the entirely promiscuous art
pours out in public spaces
accompanying everything, the selections
of sex and war, the rejections.
To jeans-wearers in zipped sporrans
it transmits an ideal body
continuously as theirs age. Warrens
of plastic tiles and mesh throats
dispense this aural money
this sleek accountancy of notes
deep feeling adrift from its feelers
thought that means everything at once