Skip to main content

The Solitary-Hearted

SHE was a queen of noble Nature's crowning,
A smile of hers was like an act of grace;
She had no winsome looks, no pretty frowning,
Like daily beauties of the vulgar race:
But if she smiled, a light was on her face,
A clear, cool kindliness, a lunar beam
Of peaceful radiance, silvering o'er the stream
Of human thought with unabiding glory;
Not quite a waking truth, not quite a dream,
A visitation, bright and transitory.

But she is changed,--hath felt the touch of sorrow,
No love hath she, no understanding friend;

The Slave Mother

Heard you that shriek? It rose
So wildly on the air,
It seemed as if a burden'd heart
Was breaking in despair.

Saw you those hands so sadly clasped --
The bowed and feeble hand --
The shuddering of that fragile form --
That look of grief and dread?

Saw you the sad, imploring eye?
Its every glance was pain,
As if a storm of agony
Were sweeping through the brain.

She is a mother, pale with fear,
Her boy clings to her side,
And in her kirtle vainly tries
His trembling form to hide.

The Sisters' Tragedy

A.D. 1670

AGLÄE, a widow.
MURIEL, her unmarried sister.


It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,

The Singer

Did you attend? He sang by grove ripe -
The bard of love, the singer of his mourning.
When fields were silent by the early morning,
To sad and simple sounds of a pipe
Did you attend?

Did you behold in dark of forest leaf
The bard of love, the singer of his sadness?
The trace of tears, the smile, the utter paleness,
The quiet look, full of eternal grief,
Did you behold?

Then did you sigh when hearing how cries
The bard of love, the singer of his dole?
When in the woods you saw the young man, sole,

The Ships that Won't Go Down

We hear a great commotion
'Bout the ship that comes to grief,
That founders in mid-ocean,
Or is driven on a reef;
Because it's cheap and brittle
A score of sinners drown.
But we hear but mighty little
Of the ships that won't go down.

Here's honour to the builders –
The builders of the past;
Here's honour to the builders
That builded ships to last;
Here's honour to the captain,
And honour to the crew;
Here's double-column headlines
To the ships that battle through.

They make a great sensation

The Shearer's Cook

Now, shearers' cooks, as shearers know,
Are very seldom wont to blow;
But when I took to dabbing tar
And "picking-up" on Blaringar,
The cook, when "barbers" came at morn
To get a snack, would say, with scorn:
"Tea on the left,
Coffee on the right,
Brownie on the bunk, and blast yez!"

The "bunk" or slab was in the hut,
And on it "brownie" ready cut;
Two buckets o'er the fire would be -
One filled with coffee, one with tea;
And when the chaps came filing in
The cook would say, with mirthless grin:
"Tea on the left,

The Seventeenth Book Of Homer's Odysseys

...
Such speech they chang'd; when in the yard there lay
A dog, call'd Argus, which, before his way
Assum'd for Ilion, Ulysses bred,
Yet stood his pleasure then in little stead,
As being too young; but, growing to his grace,
Young men made choice of him for every chace,
Or of their wild goats, of their hares, or harts.
But his king gone, and he, now past his parts,
Lay all abjectly on the stable's store,
Before the oxstall, and mules' stable door,
To keep the clothes cast from the peasants' hands,

The Sailor Boy to His Lass

I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!

Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan
Designed, or am I not, MATILDA?

The Sacrifice

Oh all ye, who pass by, whose eyes and mind
To worldly things are sharp, but to me blind;
To me, who took eyes that I might you find:
Was ever grief like mine?

The Princes of my people make a head
Against their Maker: they do wish me dead,
Who cannot wish, except I give them bread:
Was ever grief like mine?

Without me each one, who doth now me brave,
Had to this day been an Egyptian slave.
They use that power against me, which I gave:
Was ever grief like mine?

The Rum Parade

Now ye gallant Sydney boys, who have left your household joys
To march across the sea in search of glory,
I am very much afraid that you do not love parade,
But the rum parade is quite another story.
For the influenza came and to spoil its little game,
They ordered us to drink a curious mixture;
Though at first it frightened some, when we found it mostly rum,
Parade became a very pleasant fixture.

Chorus

So it's forward the Brigade, if they'll hold a rum parade
At Pretoria there's nothing to alarm ye;