A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.

How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:


A Benediction Of The Air

In every presence there is absence.

When we're together, the spaces between
Threaten to enclose our bodies
And isolate our spirits.
The mirror reflects what we are not,
And we wonder if our mate
Suspects a fatal misreading
Of our original text,
Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors
Where infinite regress prevents
A grateful egress. That is,
We can never know the meaning
Of being two-in-one,
Or if we are one-in-two.


A Baby Asleep after Pain

As a drenched, drowned bee
Hangs numb and heavy from a bending flower,
So clings to me
My baby, her brown hair brushed with wet tears
And laid against her cheek;
Her soft white legs hanging heavily over my arm
Swinging heavily to my movements as I walk.
My sleeping baby hangs upon my life,
Like a burden she hangs on me.
She has always seemed so light,
But now she is wet with tears and numb with pain
Even her floating hair sinks heavily,
Reaching downwards;


1951

Alone at night
in the wet city

the country's wit
is not memorable.

The wind has blown
all the trees down

but these anxieties
remain erect, being

the heart's deliberate
chambers of hurt

and fear whether
from a green apartment

seeming diamonds or
from an airliner

seeming fields. It's
not simple or tidy

though in rows of
rows and numbered;

the literal drifts
colorfully and

the hair is combed


Four Sonnets 1922

I1.
Love, though for this you riddle me with darts,
.
And drag me at your chariot till I die, --
.
Oh, heavy prince! Oh, panderer of hearts! --
.
Yet hear me tell how in their throats they lie
.
Who shout you mighty: thick about my hair,
.
Day in, day out, your ominous arrows purr,
.
Who still am free, unto no querulous care
.
A fool, and in no temple worshiper!
.
I, that have bared me to your quiver's fire,
.


End of Summer 1966

I'm tired of murdering children.
Once, long ago today, they wanted to live;
now I feel Vietnam the place
where rigor mortis is beginning to set-in upon me.

I force silence down the throats of mutes,
down the throats of mating-cries of animals who know they are extinct.
The chameleon's death-soliloquy is your voice's pulse;
your scorched forehead a constellation's suicide-note.

A phonograph needle plunges through long black hair,
and stone drips slowly into our veins.
The earth has been squandered by the meek.


none

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front


The Old Maid

I saw her in a Broadway car,
The woman I might grow to be;
I felt my lover look at her
And then turn suddenly to me.
Her hair was dull and drew no light,
And yet its color was as mine;
Her eyes were strangely like my eyes,
Tho' love had never made them shine.

Her body was a thing grown thin,
Hungry for love that never came;
Her soul was frozen in the dark,
Unwarmed forever by love's flame.

I felt my lover look at her
And then turn suddenly to me –


Only in Sleep

Only in sleep I see their faces,
Children I played with when I was a child,
Louise comes back with her brown hair braided,
Annie with ringlets warm and wild.

Only in sleep Time is forgotten --
What may have come to them, who can know?
Yet we played last night as long ago,
And the doll-house stood at the turn of the stair.

The years had not sharpened their smooth round faces,
I met their eyes and found them mild --
Do they, too, dream of me, I wonder,
And for them am I too a child?


Heap cassia, sandal-buds and stripes

Heap cassia, sandal-buds and stripes
Of labdanum, and aloe-balls,
Smeared with dull nard an Indian wipes
From out her hair: such balsam falls
Down sea-side mountain pedestals,
From tree-tops where tired winds are fain,
Spent with the vast and howling main,
To treasure half their island-gain.

And strew faint sweetness from some old
Egyptian's fine worm-eaten shroud
Which breaks to dust when once unrolled;
Or shredded perfume, like a cloud
From closet long to quiet vowed,


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