hair

Air -- "Lily of the West"

I
Come all you sympathizing friends, wherever you may be,
I pray you pay attention and listen unto me;
For it's of a fair young lady, she died, she went to rest,
She was called handsome Maryette, the lily of the west.
II
Her name was Maryette Myers, and her age I do not know,
Her cheeks were red as roses, her eyes were black as sloes;
She was loved by all surrounding friends, and some that loved her best,
They called her handsome Maryette, the lily of the west.
III

Ye banks and braes o' bonnie Tay,
Whaur me and my Mary oft did stray;
But noo she is dead and gone far away,
Sae I maun mourn for lovely Mary, the Maid o' the Tay,

The first time I met her 'twas in the month of May,
And the sun was shining bricht on the Silvery Tay;
I asked her name and she modestly did say,
"Some fouks ca's me lovely Mary, the Maid o' the Tay."

Oh, charming Mary o' the Tay,
Queen o' my soul by nicht and day;
But noo thou'rt gane and left me here
To weep for you, sweet Mary dear.

The mountain brook sung lonesomelike, and loitered on its way
Ez if it waited for a child to jine it in its play;
The wild-flowers uv the hillside bent down their heads to hear
The music uv the little feet that had somehow grown so dear;
The magpies, like winged shadders, wuz a-flutterin' to an' fro
Among the rocks an' holler stumps in the ragged gulch below;
The pines an' hemlocks tosst their boughs (like they wuz arms) and made
Soft, sollum music on the slope where he had often played;

The sparrows wake beneath the convent eaves;
I think I have not slept the whole night through.
But I am old; the aged scarcely know
The times they wake and sleep, for life burns down;
They breathe the calm of death before they die.
The long night ends, the day comes creeping in,
Showing the sorrows that the darkness hid,
The bended head of Christ, the blood, the thorns,
The wall's gray stains of damp, the pallet bed
Where little Sister Marta dreams of saints,
Waking with arms outstretched imploringly

I often wonder how
Life clicks because
They don't make women now
Like Mammy was.
When broods of two or three
Content most men,
How wonderful was she
With children ten!

Though sixty years have gone,
As I look back,
I see her rise at dawn,
Our boots to black;
Pull us from drowsy bed,
Wet sponge to pass,
And speed us porridge fed
To morning class.

Our duds to make and mend,
Far into night,
O'er needle she would spend

This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

It is yourself you seek
In a long rage,
Scanning through light and darkness
Mirrors, the page,

Where should reflected be
Those eyes and that thick hair,
That passionate look, that laughter.
You should appear

Within the book, or doubled,
Freed, in the silvered glass;
Into all other bodies
Yourself should pass.

The glass does not dissolve;
Like walls the mirrors stand;
The printed page gives back
Words by another hand.

And your infatuate eye

CROPS like hedgehogs, high-crown'd hats,
Whispers like Jew MOSES ;
Padded collars, thick cravats,
And cheeks as red as roses.

Faces painted pinkand brown ;
Waistcoats strip'd and gaudy ;
Sleeves thrice doubled thick with down,
And straps to brace the body.

Short great-coats that reach the knees,
Boots like French postillion ;
Worn the G{-}{-}{-}{-}{-} race to please,
But laugh'd at by the million.

Square-toed shoes, with silken strings,
Pantaloons not fitting ;

Crops like hedgehogs, high-crown'd hats,
Whispers like Jew MOSES ;
Padded collars, thick cravats,
And cheeks as red as roses.

Faces painted pink and brown ;
Waistcoats strip'd and gaudy ;
Sleeves thrice doubled thick with down,
And straps to brace the body.

Short great-coats that reach the knees,
Boots like French postillion ;
Worn the G----- race to please,
But laugh'd at by the million.

Square-toed shoes, with silken strings,
Pantaloons not fitting ;

I am in this low-slung sports car
painted a deep, rich yellow
driving under an Italian sun.
I have a British accent.
I'm wearing dark shades
an expensive silk shirt.
there's no dirt under my
fingernails.
the radio plays Vivaldi
and there are two women with
me
one with raven hair
the other a blonde.
they have small breasts and
beautiful legs
and they laugh at everything I
say.

as we drive up a steep road
the blonde squeezes my leg
and nestles closer